Playdate #20: Black Canary & Superman

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Out of Context #18: "World's Finest Sandwich"

From Justice League of America (vol. 1) #148, art by Dick Dillin.

Every Thursday, Flowers & Fishnets provide a panel that--when taken out of context from the rest of the page--may be funny, suggestive, or just dumb.

Shameless MAN OF STEEL Tie-In

With Man of Steel soaring into movie theaters this week, it would be pretty desperate and obvious to force a Superman connection on this Black Canary fan blog.  So…

To commemorate--or simply acknowledge the existence of--the 2006 relaunch of Justice League of America, DC Collectibles released this four piece Build-a-Statue showcasing the iconic and Caucasian members of Brad Meltzer and Ed Benes' new lineup.

As white as 1960.

The reason I care even the least bit about this bit of merchandize, is that one of the pieces of the set happens to partner then-JLA chairperson Black Canary with always-de facto-JLA leader Superman.

I think she's letting him win.

Brave and bold; desperate and obvious--whatever.  Hope the movie's good!

Trauma Tuesday #15

This will be the last Trauma Tuesday for a while.  Starting next week, I'm going to start reviewing the current Birds of Prey series for New Fifty-Tuesday!

From Flash Comics #101, art by Carmine Infantino.

Disclaimer:  While reading my copy of The Black Canary Archives Volume 1, I discovered the ridiculous trend that Dinah got knocked unconscious every single issue.  Now, I've been knocked cold before, and that $#@% is really dangerous.  Kanigher and Infantino either didn't realize how unhealthy it was, or they didn't care, because Black Canary would have been reduced to a drooling vegetable by her third solo adventure.

I dedicate a regular blog update to the panels showing these injuries to spotlight the ridiculousness and repetitiveness--and laziness--of the kind of storytelling common during this era of comic book publishing.  In no conceivable way do I endorse any sort of violence against women (or men).

Canary Comics for September '13

None.

September will be Villains Month for DC Comics.  Along with the launch of the "Forever Evil" event, every one of DC's occasionally-fifty-two regular series will be usurped by spotlight issues on Batman's the company's many villains.

Forever Evil promotional art (and possibly first cover) by David Finch.

There won't be an issue of Birds of Prey in September, nor will there be an issue of Animal Man, or Supergirl, or Nightwing, or any of the other middle to low-range selling books.  Instead there will be four Batman books (note that's the self-titled Batman series; there will also be four issues of Detective Comics, four of Batman & Robin, and four of Batman: The Dark Knight for a total of sixteen Caped Crusader foils to focus on).  There will be plenty of Justice League villain books, Superman villain books, Green Lantern villain books, etc.  Even Green Arrow gets subverted for Count Vertigo that month, and all two of Aquaman's rogues gallery get the star treatment in September.

Somewhere in all those villain spotlights, there may be an appearance of or reference to Black Canary and the Birds of Prey, but I doubt it.  I hope, by then, writer Christy Marx has dropped Mister Freeze and the Court of Owls and taken the Birds in her own creative direction not handed down by editorial decree.  But I doubt that, too.

Super-Team Family: Black Canary and She-Hulk

The last time I posted one of Ross' DC/Marvel custom crossover covers from the Super-Team Family blog, I timed it with the theatrical release of Marvel Studios' Iron Man 3.  This time, I don't have a pop-culture event to use as a convenient segue; all I have is an appreciation for these awesome covers and a fan blog to share them on!

Below is the custom cover of Black Canary facing off against one of my favorite Marvel characters, the Savage She-Hulk!

Courtesy of Super-Team Family: The Lost Issues blog.

Ross' work is, as always, terrific.  This rendering of Black Canary, however, isn't the most flattering.  She looks a little long in the tooth, and the bleached-out big hair coupled with an awful mascara job says truck stop hooker in a way that--ironically--her black leather and fishnets never have before.

Check out Super-Team Family: The Lost Issues for many, many more DC/Marvel crossover covers!

Birds of Prey: Manhunt #1 (Sept 1996)

Black Canary first partnered with the high priestess of cyberspace, Oracle, in Black Canary/Oracle: Birds of Prey.  Spinning out of that one-shot special, comes the Birds of Prey: Manhunt four-issue limited series.  The leading ladies are back, and this time there are twice as many x-chromosomes to kick ass and look good!

Chuck Dixon returns to scribe the tale, but Gary Frank only provides cover art this time.  Matt Haley supplies the interior pencils with inks from Wade Von Grawbadger.  The combination is close enough to Gary Frank's style to not seem jarring or lacking.  Birds of Prey: Manhunt #1: "Where Revenge Delights" premiered in September 1996 and cost $1.95 U.S.

Not wasting time with anything silly like a prologue that establishes atmosphere or threat, the story dives headfirst into action as Black Canary barges into an underground parking garage looking for a man to beat down.  This opening, with Dinah behind the wheel, is a subtle nod to the Birds one-shot, which ended with Dinah driving off in her new ride.  Manhunt doesn't pick up directly after the last story--she's not even driving the same car--but it's a nice, fun continuation.  Alas, Dinah is again wearing the Gary Frank-designed costume that I don't care for, but the art team make her look good wearing it, and that helps.   

Black Canary races through the parking complex of a Gotham City high-rise, hunting for a man named Braun.  Chances are it's not Major League Baseball player and accused performance enhancing drug popper Ryan Braun, but maybe, we'll see where the story goes.  Serving as communications and technology coordinator, Oracle, feeds Black Canary intel on the building's security systems and Braun's armed security forces.  Unbeknownst to either Canary and Oracle, a third female operator--the dark and mysterious Huntress--is sneaking into the tower.  We don't know what either of the women are there for yet, or who Braun is, but his men have machine guns, so it's probably not Ryan Braun, the baseball player.

So Barbara Gordon still hates the Joker for paralyzing her?  I guess I can understand why she'd hold a grudge about that.  From the sound of things, Dinah still doesn't know Oracle's secret identity, but does care for her enough to hate the Joker by proxy.

Black Canary takes on Braun's security forces in the garage, showing off her impressive hand-to-hand combat skills.  But right after, we get a scene showing her lack of familiarity with submachine guns.

It's a great little scene that delivers humor and characterization for both women.  Oracle, naturally, has a strong aversion to firearms, but still knows plenty about them, what with being the daughter of a cop and all (though Dinah's dad was a cop, too, so there goes that explanation).  Barbara also worries that Dinah is going to use the gun to kill Braun's security and warns her that she refuses to work with "that kind of vigilante".  Dinah, of course, had no intention of using lethal force.  Could the same be said, though, for Huntress upstairs in the penthouse?

The blonde in the sports car is Archer Braun, apparently, and he escapes from the parking garage when Dinah decides not to pursue in her bullet-riddled Range Rover.  Then Huntress drops down the elevator shaft and she and Black Canary recognize immediately that they were here for the same man/reason.

Dinah is pretty cavalier about dropping her real name to costumed strangers.  Huntress, on the other hand, is a bit more guarded, although she does reveal in a flashback that she is Helena Bertinelli.  The same flashback also provides us with the much-needed exposition.

Helena met Archer Braun at an opera, which should have been her first clue that something wasn't right about him.  Everything he told her was a lie, including his family, his history, even his name--all crap seemingly tailored to her specific tastes.  The only genuine thing about Helena's perfect beau was a part of his anatomy that we'll return to later.  Anyway, she falls for him, sleeps with him, and waits for him to call the next day.  And waits.  And waits.

Meanwhile, Braun was working a different but no less custom-tailored seduction on Dinah.  Eventually, and more than a little embarrassingly for the characters--and fans--both women discover their lover's criminal nature when they recognize his ass in security camera footage from a crime scene.

Black Canary and Huntress figure they could let the police take Braun, but this is personal.  He slept with them under false presences, dammit, and now they're going to shove their stiletto heels up his oh-so-recognizable rear.

Speaking of memorable asses, this one shows up at the end!

That's right--Black Canary, Oracle, Huntress, and Catwoman are all going after this evil bastard who may have committed some kind of robberies between nailing all of the hottest women in Gotham City.  What will Catwoman add to the mix?  Or, more appropriately for her, what is she planning on taking away?  We'll find out in the next issue, which hopefully I'll review next weekend.

The Verdict

Birds of Prey: Manhunt #1 is a bit of a different beast than the original BoP special, although some of that is to be expected given the different format.  This isn't a self-contained story, but merely the first act of a miniseries.  Still, Dixon may be letting the cables slip a little too much for an opening chapter.  There's plenty of great action to kick off the story, but the exposition comes awkwardly packed on top of itself all in a rush at the end.  The one-shot felt tight, efficient and economical in its storytelling.  This issue feels more like Dixon's making it up as he goes along.

The threat in this issue is its biggest problem.  We really don't know why Archer Braun is worth super heroine/vigilante's time, other than the fact that he slept with her and didn't call her back.  Besides being awkward and embarrassing, that's just kind of… petty.  It doesn't make Black Canary or Huntress seem like strong women.  In fact, Huntress is shown to be easily lured and pining away for her boyfriend, literally waiting for him to call.  This is the master villain of the series?  His Who's Who in the DC Universe entry would list his occupation as: douche bag.  Hopefully, the stakes will be raised quite a bit in issue #2.

All that aside, it's still a very fun read.  Having spent fifty-or-so pages with Dinah and Oracle last time around, it's nice to see Huntress added to the mix, even though we don't get much chemistry from her or Catwoman this time around.  Knowing that Helena will become a fully integrated third of this partnership five years later makes it all the more special to see how the characters respond to each other on first meeting.

Playdate #19: Golden Age Get-Together

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Out of Context #17: "Untouched"

From Birds of Prey (vol. 1) #1, art by Greg Land.

Every Thursday, Flowers & Fishnets provide a panel that--when taken out of context from the rest of the page--may be funny, suggestive, or just dumb.

Black Canary by Mike Netzer

It's Whatever Wednesday -- Enjoy this sketch by Mike Netzer!

I really, really like Netzer's pulp magazine-style in this picture.  The musculature of her anatomy, the soft pencil shading, the exaggerated pose--it all reminds me me of adventure mag covers with women in cheetah print loincloths and men with fedoras and Thomson machine guns.

Trauma Tuesday #14

From Flash Comics #100, art by Carmine Infantino.

Disclaimer:  While reading my copy of The Black Canary Archives Volume 1, I discovered the ridiculous trend that Dinah got knocked unconscious every single issue.  Now, I've been knocked cold before, and that $#@% is really dangerous.  Kanigher and Infantino either didn't realize how unhealthy it was, or they didn't care, because Black Canary would have been reduced to a drooling vegetable by her third solo adventure.

I dedicate a regular blog update to the panels showing these injuries to spotlight the ridiculousness and repetitiveness--and laziness--of the kind of storytelling common during this era of comic book publishing.  In no conceivable way do I endorse any sort of violence against women (or men).

Trauma Tuesday #13

From Flash Comics #99, art by Carmine Infantino.

Disclaimer:  While reading my copy of The Black Canary Archives Volume 1, I discovered the ridiculous trend that Dinah got knocked unconscious every single issue.  Now, I've been knocked cold before, and that $#@% is really dangerous.  Kanigher and Infantino either didn't realize how unhealthy it was, or they didn't care, because Black Canary would have been reduced to a drooling vegetable by her third solo adventure.

I dedicate a regular blog update to the panels showing these injuries to spotlight the ridiculousness and repetitiveness--and laziness--of the kind of storytelling common during this era of comic book publishing.  In no conceivable way do I endorse any sort of violence against women (or men).

Playdate #18: Black Canary & Starman

Clicky to biggy

Out of Context #16: "Pointer"

From Green Arrow/Black Canary Wedding Special #1, art by Amanda Connor.

Every Thursday, Flowers & Fishnets provide a panel that--when taken out of context from the rest of the page--may be funny, suggestive, or just dumb.

Trauma Tuesday #12

From Flash Comics #99, art by Carmine Infantino.

Disclaimer:  While reading my copy of The Black Canary Archives Volume 1, I discovered the ridiculous trend that Dinah got knocked unconscious every single issue.  Now, I've been knocked cold before, and that $#@% is really dangerous.  Kanigher and Infantino either didn't realize how unhealthy it was, or they didn't care, because Black Canary would have been reduced to a drooling vegetable by her third solo adventure.

I dedicate a regular blog update to the panels showing these injuries to spotlight the ridiculousness and repetitiveness--and laziness--of the kind of storytelling common during this era of comic book publishing.  In no conceivable way do I endorse any sort of violence against women (or men).