Friday, July 25, 2014

Pretty Bird: DETECTIVE COMICS #561

Previously in Detective Comics...


Detective Comics #562 starred Batman and Robin in a story by Doug Moench with art by Gene Colan and a cover by Ed Hannigan.  Green Arrow and Black Canary teamed up in a backup strip titled "The Criminal Element" written by Joey Cavalieri and drawn by Jerome K. Moore.

The story opens with Black Canary unconscious, being carried to the edge of the pier by the pair of drug dealers we saw talking to Steelclaw last issue.  After knocking them all out with sleeping gas, the villainous Steelclaw revived his lackies and ordered them to dump the Canary in the harbor to drown.  One of them wonders why they don't shoot her dead before dumping her, but the other says the shot will ring out too loudly over the water and bring unwanted attention to them as they also happen to be waiting for a shipment of drugs coming into that same port.

The hoods dump Black Canary in the water.  Shortly thereafter, the boat settles up to the dock with the drug shipment, but only two crew.  This causes the hoods on the pier some distress as now they'll have to unload the product all by themselves.  It comes as a relief, however, to Black Canary who regained consciousness when she hit the water and climbed up the other side of the boat, because now she only has four crooks to deal with.

She tosses one of boat crew into the other, knocking them overboard.  Then she leaps down to the pier to take out the other two.


Earlier that night, Mayor Bolt holds a press conference in his residence.  Reporters ask about his plans to combat the current crime wave in Star City.  Bolt gives a nice little soundbite about understanding the criminal element and being vigilant.  Neither Mayor Bolt nor the press corps was vigilant enough to notice the grappling hook arrow fired onto the terrace signaling the entrance of the Emerald Archer.


Mayor Bolt fires right back at Green Arrow that he sounds like the proverbial pot complaining that the kettle is reckless and only dressing up in a costume to make money.  Their debate is interrupted, though, when Mayor Bolt gets a phone call about his son, Brucie.  Yes, he refers to him as Brucie.  Again with that same familiarity that Steelclaw used when referring to the mayor's son.

The mayor ends the press conference and his people shoo the reporters out of his office.  Before leaving through the window, Green Arrow warns Mayor Bolt that if he doesn't do something about Champion, Green Arrow will have to take him down.  In the meantime, if anyone gets hurt because of Champion, Green Arrow will hold the mayor responsible.

Bolt watches Green Arrow swing away, questioning the archer's real dedication to cleaning up Star City.  Green Arrow can always run away to the Justice League Satellite, Bolt thinks, whereas the people have elected him to clean up the town.  While he's considering this, Bolt walks through a hidden door in the back of his office and down a spiraling stone staircase behind the wall.  He knows that the presence of vigilantes undercuts his credibility, but the Star City Police Department is corrupt and ineffectual.  That leaves it all up to him, Mayor Bolt, to root out crime, and to do that he has taken on the guise of a criminal mastermind in order to gain information.


Steelclaw leaves through a secret exit, gets in a car, and drives away.

Meanwhile, in a music shop across town, some kid we met back in issue #551 hears evidence that Onyx is back in town.  Onyx was last seen helping Green Arrow rescue their monastery in issue #557.

Come back next Friday for the next part of Green Arrow and Black Canary's continuing adventures in Detective Comics...

Thursday, July 24, 2014

Society Dame: Justice Society of America #6

Previously...


Justice Society of America #6 is written by Len Strazewski with pencils by Tom Artis, inks by Frank McLaughlin, and a cover by Tom Lyle featuring Black Canary and Solomon Grundy.  The series is edited by Brian Augustyn along with Mike Gold, who edited Black Canary's miniseries, her ongoing series, and her first arc in Action Comics Weekly.  The issue is cover dated August 1991 and hit the shelves in June.

The last issue that Tom Artis drew for this series was the Hawkman-centric issue #4.  That was a shame because I love Hawkman, but Artis' art was pretty lifeless and boring.  This time it's even worse, which sucks because this chapter focuses on Black Canary and Green Lantern fighting in the sky.  But, as we'll see, Artis' art is boring and awful.

"Vengeance from the Stars Chapter 6: Danger Flies the Skies" opens with Black Canary slowly regaining consciousness, pleading with her husband, Larry Lance, to let her sleep ten more minutes.  Then her eyes open fully and she realizes she is dangling high in the sky in the taloned clutches of a giant energy bird, the latest form of the constellation monster Sagittarius.

Green Lantern, caught in the bird's other talon, tells Canary to shut up so he can concentrate.  Real nice, Alan, coming from the crime fighter who can fly if the bird drops you!


Green Lantern struggles and manages to free his left arm from the talon.  He doesn't use his free hand to escape, though, just scratch his nose.  Black Canary tells him that the bird is also carrying a box full of stolen Egyptian relics from the Gotham Museum, and while she's recapping events from issues #2 and #3, a crop-duster soars nearby.

This is no random airplane flying near the bird's path, though, this "borrowed" crop-duster happens to be piloted by Doiby Dickles, the buffoonish cab driver that took palled around with Green Lantern before usurping his feature in All-American Comics.  Dickles flies close enough to tell Green Lantern he brought the special item, but the bird takes notice.  Sagittarius swoops down to attack the crop-duster and Doiby leads it on some fun little aerial acrobatics that make Black Canary nauseous.

Well, they should have been fun aerial acrobatics, but Tom Artis' layouts and panel construction are so flat that the motion and energy of the stunts is lost.  Anyway, Doiby gets out of the pilot's seat and hands Alan Scott the green power lantern.


Sagittarius doesn't like this at all and dives down toward Doiby who is trying to regain control of the plane.  Green Lantern uses this time to speak the oath that powers his magic ring.


Alan creates an energy projection to pluck the bird's hind feathers, causing Sagittarius to drop Green Lantern and Black Canary.  Green Lantern creates a green parachute for Dinah, allowing her to settle gently on Doiby's plane while Alan turns around to combat the bird monster.


Meanwhile, on the ground below, Vandal Savage's henchmen watch the fight in the sky while Solomon Grundy rages about wanting to kill Green Lantern.  The henchmen use reverse psychology on Grundy to get him to pick up the fallen box of Egyptian loot and put it in another plane.  Then they take off for New Mexico and the Mt. Pride Observatory where their evil master awaits.

Back in the sky, Green Lantern tries to cage the bird with his power ring but it doesn't work.  The bird is too powerful and it shoots energy beams out of its eyes that knock Alan unconscious.  He begins to fall, but the ring keeps his descent slow and steady.  But that puts him in danger of Sagittarius' beak and claws.

Doiby flies the plane near the bird and releases its tanks of insecticide smoke in Sagittarius' face.  The monster is distracted enough fro Black Canary to climb out onto the plane's wing and catch Green Lantern.


Black Canary brings Alan around and asks if he can absorb the monster's energy using his lantern and he thinks it's a great idea.


Green Lantern flies out again, but this time when Sagittarius fires its deadly eye-beams, Alan catches them with his green power lantern and siphons the monster's stolen energy.  Weakened, the bird flies off.  Green Lantern and Black Canary are able to follow the bird, sending Doiby off on his own to hopefully die a horrible death.

The heroes follow Sagittarius to the Mt. Pride Observatory where their friend, Ted Knight, works.  Sagittarius disappears into the massive antenna relay that has been constructed around the observatory.  As the heroes get closer, they find Vandal Savage gloating over the half-conscious forms of Hawkman and The Flash.  They witness William Wildeagle shoot Ted Knight's Cosmic Rod out of Savage's hand, but then Solomon Grundy sneaks up on Wildeagle.


After the awesomeness of Mike Parobeck last issue, it really sucked to endure Tom Artis' pencils in this issue.  They're not terrible on their own, but they don't compare to Parobeck or Rick Burchett or Grant Miehm.  And the greatest problem is the uninspired panel construction and layout.  Every page is based on a six panel grid.  Occasionally, two panels will merge into one or he'll give us a splash, but they're never anything impressive.  I don't know if he was trying to emulate the simplistic style of Golden Age comics.  I also don't know why this eight issue series needed four different artists.  Either way, this issue suffered.

It's also not the best story.  It's just as formulaic as the rest; the aerial combat with the energy monster really isn't powerful enough to take up two thirds of the book, and the last two pages cover stuff we already know.  Plus, Doiby Dickles is lame.  All in all, this isn't a great way to lead into the final two issues of the series, but they should pick up.

Come back Monday for the next chapter of Justice Society of America...

Wednesday, July 23, 2014

Team-Up: THE BRAVE AND THE BOLD #100 (March 1972)

Happy Batman Day!

Yes, today marks the 75th Anniversary of the Dark Knight's debut in Detective Comics #27.  To honor this landmark in comics publishing, I couldn't think of a better topic for today's post than one of the Blonde Bombshell's team-ups with Batman in the pages of The Brave and the Bold.  And, thinking one big anniversary deserves another, what better issue to cover than The Brave and the Bold #100 starring Batman and Robin, as well as the Hard Travelin' heroes, Green Lantern, Green Arrow and Black Canary?


"The Warrior in a Wheel-Chair" is written by Zany Bob Haney with art by the legendary Jim Aparo and a cover by the equally legendary Nick Cardy.  The Brave and the Bold #100 is cover dated March 1972 but hit the streets in December of '71.

The issue begins with an unseen sniper spying potential targets on the steps of Gotham City Hall.  When Batman comes down the steps, though, the sniper zeroes-in and fires, cutting down the Dark Knight Detective.  Commissioner Jim Gordon rides in the ambulance with Batman, cursing the drug dealers he believes responsible for this attempt on Batman's life.

The hospital's chief-of-staff tells Gordon the bullet penetrated Batman's chest and stopped perilously close to his heart.  There is only one surgeon who might be able to save the Caped Crusader, according to the chief-of-staff; unfortunately, Dr. Hellstrom is in Zurich and can't arrive in Gotham for three days.  That means Batman has to stay safely on the sidelines for three days while the biggest drug shipment in history is set to go down.


Batman stubbornly tries to rise out of the wheelchair but his body betrays him.  Alfred pleads with him to stay in the chair while Batman agonizes over his newfound uselessness in the war on crime.

While sulking, Batman observes a spider catching a fly in its web and has a sudden epiphany.  "The bat must turn into a spider," he says, and tells his faithful butler to summon Robin.

Later that night, Green Arrow, Black Canary, and Green Lantern arrive in Gotham City wondering if Batman's condition is as serious as it sounded when he beckoned them.  And naturally, it doesn't take long for the Emerald Archer and the Ringslinger to start shouting at each other about drugs and other societal problems.


Unseen by the trio of Justice Leaguers, Robin makes contact with his boss, using code names for both of them.


Huh... Robin can't understand what value Black Canary brings to Batman's scheme?  Is this naiveté of youth?  Ignorant sexism?  Or just another Bob Haney-ism that we roll our eyes at and press on with this wacky adventure?  Let's go!

Commissioner Gordon contacts Batman and tells him he can't combat the drug trade by himself while recuperating from his gunshot.  Batman tells him not to worry, that he's brought in his ward and three members of the Justice League of America to help his operation.  Then, inexplicably, Gordon complains that this war on drugs is police business.  Is he objecting to more costumed crime fighters lending a hand in an unofficial capacity?  He knows he's talking to Batman, right?  Haney!!!  Anyway, Batman asks for Gordon's trust and a little bit more time to put his plan into motion, then he hangs up and fights back the pain of his life-threatening injury.

Across the world in Switzerland, Mr. Belknap, the head of the international drug cartel is nervous about the security of his drug shipments to Gotham, so he sets up a test run.  Back in Gotham, we learn that Batman has a coded set of delivery routes and dates.  If he cracked the code, he ought to be able to anticipate the location of every one of Belknap's shipments.

Shortly after midnight on Wednesday, the Bat-Spider sends the Ace-Archer into action.  Green Arrow slips into the Gotham City Post Office and observes the drug traffickers disguising drugs into mail packages.


Green Arrow sends a shaft through the chest of one of the drug runners, killing him; the other punk gets away.  Green Arrow checks the packages full of drugs but discovers that it's only fine sugar.  After reporting in to Batman, the Dark Knight realizes that Belknap sent in a test shipment.  Now they are aware of each other and the operations will get even more dangerous.

Batman gets word that another shipment is coming in through the docks.  Green Lantern watches the ship come into port and unload a foreign car.  He suspects the drugs might be hidden in the car, but when he goes to investigate, hidden gunmen from the ship and the docks open fire.  Green Lantern uses the power of his ring to protect himself and thwart the shooters.  Then he uses the ring to deconstruct the car, only to find no drugs hidden inside.  Once again, Belknap has foiled Batman's plan by sending a false shipment.


Of course it's the woman who nearly ruins Batman's carefully constructed scheme!  And of course Robin thinks Black Canary's an idiot, though he is able to recognize her legs from across the street in the rain.

Wait, Black Canary had to get out of the rain because it was ruining her hair?  She wears a wig!!!



Batman wallows in despair that he couldn't catch Belknap's drug deliveries.  Three chances, three misses, and now the Dark Knight has run out of time.  He collapses under the strain and needs to be prepared for surgery.

Back in Switzerland, Belknap learns that Batman will be operated on by Dr. Hellstrom from the same country.  That night, "Hellstrom" oversees the loading of some equipment onto the plane sending him across the ocean.  In Gotham, Robin and Commissioner Gordon watch as Batman is wheeled into the operating room.  Green Arrow, Black Canary, and Green Lantern fume over their inability to stop the drug shipments and head to the hospital to be close to Batman during his surgery.

In the operating room, Dr. Hellstrom points out his elaborate machine that will keep Batman's condition stable during the procedure.  The Dark Knight begins to feel the effects of anesthesia which causes him to hallucinate images of a giant spider web and Belknap at the center.  The vision of Belknap transforms into the vision of a surgeon and Batman feels himself ensnared by webs.

The Caped Crusader snaps out of his sleep and begins to resist the doctors about to cut him open.  He struggles while they try to increase his anesthesia.  In desperation, he signals Robin in the waiting room.


Before Belknap can slice Batman's throat, Green Arrow fires an arrow that knocks the scalpel out of the drug kingpin's hand.  The heroes take down Belknap.  Gordon gets word to Switzerland where they discover that the real Dr. Hellstrom was captured by Belknap's goons.  It will take six hours for him to fly to Gotham, and Batman doesn't have that much time.  So Green Arrow uses his green power ring to collect the surgeon and bring him to Gotham in a much speedier time.

When the real Hellstrom begins to operate on Batman, he realizes that his specialized machine isn't working correctly.  Upon inspection, the heroes realize that the machine is filled with Belknap's drug shipment.

After the operation, the heroes gather around Batman and explain how Belknap planned to usurp Dr. Hellstrom, kill Batman during the surgery, and then take his machine out of the hospital to flood the city with his product.  They wonder how Batman figured out Belknap had taken the doctor's place, and the Dark Knight tells them he felt needle marks on the doctor's wrist and remembered that Belknap was a junkie.  Hmm... that seems like information we should have had earlier.


What to say about this issue?  It's fun and hilarious in all the usual Bob Haney ways.  The story is too complicated by half for its own good.  Why all this ridiculous spider imagery and emphasis on Batman spinning complex webs like a spider?  This doesn't amount to anything profound and the metaphor doesn't even hold up.  The characters are exaggerated and slightly wonky, and sexist in Robin's case, but that's just natural fun.

In any event, the true star of this book isn't Batman or Black Canary or Robin... it's Jim Aparo!





Tuesday, July 22, 2014

Birds of Prey #11 (Nov 1999)

Previously in Birds of Prey...


Birds of Prey #11: "State of War" is written by Chuck Dixon with pencils by Dick Giordano, inks by Mark Propst, and colors by Gloria Vasquez.  The cover was done by Land and Brian Stelfreeze.

For the third straight issue, we open with a splash page of the Iron Brigade of Koroscova followed by a double-page splash of the Iron Brigade getting ignobly knocked off their high horse.  This time, it's by a squad of United States Marines come to enforce peace before Koroscova's troubles spill over its boarders into world war.

The Marines are supported by a CBRNe team in hazmat suits trying to assess the nature of the damage to Koroscova.

Said damage was caused by a reckless clone of Guy Gardner named Joe.  He escaped to the hills with the mad scientist that gave him super powers, and Black Canary who freed him without knowing who or what he was.  At the moment, Joe Gardner is feeling great.


Black Canary tells Joe she wants nothing to do with him.  Joe grabs the doctor and begins to fly away, but Oracle screams into her communicator that Dinah must stay close to Joe so that she, Oracle, can track him and obliterate him with the orbital satellite laser she hijacked from the U.S. military.  Not trying to conceal her displeasure at all, Black Canary calls for Joe to come back.  Of course, he's too arrogant to believe she wants anything other than his smoking hot body.

Elsewhere, the presidents of the United States and Koroscova play their games of diplomacy and international checkers.  Then Joe Gardner and the others arrive at the Marine encampment.


Black Canary gives Oracle the coordinates and then leaps out of the way as the laser targets directly on Joe Gardner.  It burns through the Earth's surface, but Joe is barely harmed.  Well, his feelings are hurt, I suppose, because he grabs Black Canary and threatens to kill her and the voice in her ear that he can hear.  He bats away Marines and asks if Black Canary has any last words.  She punches him in the face.  It has little effect except to bang up her hand, but it's a nice little moment of defiance before she dies.

Once Oracle realized her super laser couldn't kill Joe, however, she called in her backup plan.

 

Joe Gardner is knocked unconscious and half-buried in the dirt.  Superman makes sure Dinah is okay and then he heads back to Metropolis or wherever he's needed.  Black Canary flirts with the Marine commander and hitches a ride back to the states.  Though the mission is over and world war averted, Oracle isn't happy that somebody played her.

Back at the humanitarian agency that hired Oracle, the woman who lied to Oracle about the mad scientist's identity is greeted by the mysterious stranger who put her up to it.


The stranger teleports them both away.

By now it's pretty clear that Chuck Dixon writes about ten pages worth of material for a twenty-two page comic.  The first three pages of each of the last three issues aren't funny or clever; they're dumb and a bit insulting that I had to pay for it.  Dick Giordano's art is less stylized and ridiculous than Greg Land's but it's also not as strong as it was back in the Bronze Age.

Come back next Tuesday for a review of Birds of Prey #12.

Monday, July 21, 2014

Society Dame: Justice Society of America #5

Previously...


Justice Society of America #5 is written by Len Strazewski with pencils by Mike Parobeck, inks by Rick Burchett, and a cover by Tom Lyle featuring Black Canary and Solomon Grundy.  The series is edited by Brian Augustyn along with Mike Gold, who edited Black Canary's miniseries, her ongoing series, and her first arc in Action Comics Weekly.  The issue is cover dated August 1991 and hit the shelves in June.

"Vengeance from the Stars Chapter 5: Double Star Rising" begins with the fastest man alive, Jay Garrick, alias The Flash, rapidly assembling an energy detecting geiger counter out of spare parts.  He grabs the device and rushes across the American military base to where Hawkman is being treated for injuries sustained last issue.  The base doctor suspects Hawkman has a concussion, but Hawkman refuses any further treatment now that Flash is there and ready to roll.

A boyish-looking enlisted soldier tells Hawkman that a Native American named William Wildeagle is outside waiting for him.  Wildeagle is the friend of Hawkman's archaeologist alter-ego, Carter Hall.  When Hawkman and Flash greet him outside the base hospital, Wildeagle makes it clear that he knows who his friend is, mask or not.


The three of them head off running and flying to New Mexico, which happens to be home to the Mt. Pride Observatory, where Ted Knight works.

Knight isn't in very good shape right now, though, as he's been tortured and enslaved by Vandal Savage.  The immortal evil-doer has taken over the Observatory and reconstructed the outer facade to look more like a pyramid; the observatory now siphons every type of energy to fuel the Cosmic Rod he stole from the former Starman, Ted Knight.

Savage reminds his hostage, Ted, that soon he will be joined by his old Justice Society colleagues, Green Lantern and Black Canary.  But when the phone rings, Savage learns that The Flash and Hawkman are still alive and coming for him.


Meanwhile, somewhere between here and there, Hawkman realizes maybe he should have let the doctor do a more thorough examination.


Flash tells the others they're close to Mt. Pride and Hawkman wonders if the crazy star monsters are connected to Ted Knight's work.  With some amount of dread, Flash suspects there is, indeed, a connection.  He gives the geiger counter to William Wildeagle and asks the man to catch up on foot while he and Hawkman approach the observatory, which now seems to be glowing.

When they approach, the sky is lit up by the female energy monster that Hawkman squared off against last issue.  The giant is standing around the scaffold of the pyramidal observatory, feeding energy into or from the structure.  Flash and Hawkman concoct a plan to trip the monster into the scaffolding, hoping it will ground her and shut off the power.

They run and fly around her until she contacts the scaffold, but it doesn't draw energy from her.  It juices her up.  Also, the dog monster that Flash fought in the first issue returns, and then changes back into the giant humanoid with a club, so now each of the Justice Society members has an energy giant with which to contend.

Hawkman is nearly battered by one of the giants; his reflexes and fighting ability are still a bit shaky from the concussion.  Flash manages to trip one monster into the other in an attempt to get his friend to safety, but when he tells Hawkman to leave, they notice that physical contact between the giants caused a power disruption.


Hawkman reasons that the monsters' weakness is each other and the heroes spring back into action to stop the beasts.  This time, with a plan.


The energy giants collapse into each other and dissipate.  Inside the observatory, Vandal Savage snarls a curse at this setback.  He grabs Ted Knight's Cosmic Rod and propels himself through the skylight.  Ted is only too glad to be rid of Savage, and begins working on something as soon as his captor is out of sight.

Outside, Vandal Savage makes his presence known to Hawkman and The Flash and takes them out of the fight just as quickly with the energy of the Cosmic Rod.  As he gloats over the stunned heroes, however, a gunshot rings out over the desert and a rifle slug knocks the rod out of Savage's hand.  William Wildeagle comes down the path holding a rifle trained on Vandal Savage, telling the villain to surrender.

Wildeagle doesn't realize, though, that Vandal Savage's monstrous servant has returned.


The first four issues of this series were pretty good, but man this one was so much better.  A lot of that credit can be attributed to Mike Parobeck, whose art was so classy and distinguished that it still saddens me that the man died so early in his comics career.  He made solid gold of books like Elongated Man and Batman Adventures, and I know he would have been very successful today if he'd survived.

Staying on the art for a minute: Hawkman is one of my all-time favorite heroes, but I have never, ever liked this version with the Mexican wrestler-looking luchador mask.  Hawkman's helmet is one of my favorite pieces of art design, so it sucks to see him reduced to such a commonplace cowl.  That said, this is probably the best it has ever been rendered because Mike Parobeck just rocks the design in every way.

What else makes this issue stand out is that finally, finally our heroes have someone to talk to besides themselves and endangered bystanders.  Sure, Hawkman and Flash can be solo acts, but this series is called Justice Society of America; let's see the team work together already!  And they do--really, really well!  I also think it's fun that Strazewski put these two heroes together for the first team-up given that they co-headlined Flash Comics in the 1940s.

Come back Thursday for the next chapter of Justice Society of America...

Sunday, July 20, 2014

Black Canary on Green Arrow's Shorts... Yeah

DC Nation, the series of animated short features on Cartoon Network, is producing a series of shorts starring Green Arrow and guest starring Black Canary.  Last week, DC All Access went behind the scenes with the show runner and revealed some cool features of the animated alternative to Arrow.


When the New 52 began three years ago, the creators and editors of Green Arrow tried to make Ollie the Tony Stark of the DC Universe.  Though Ollie and Tony share a lot of thematic elements in their origins, the attempt to Stark-ize Green Arrow failed because, well, they're dumb.  Undeterred, the creators of these animated shorts have made him even more Iron Man-like by making his bow a talking artificial intelligence like J.A.R.V.I.S.

It's awesome that Black Canary is included in such a prominent way in these cartoons, and there's a lot to like about the clips previewed in the video above.  They put her on a motorcycle, which is always a plus.  She's in black and fishnets--plus and plus again.  Best of all, she doesn't seem to be based on the current New 52 costume that I dislike.  In fact, Black Canary's design looks similar to how the character appeared in Smallville.  Like, way similar.


In addition to the motorcycle, the new animated shorts give Black Canary a pair of collapsible batons like she wields in Arrow.  I haven't seen the first short so I have no idea if she uses a "Canary Cry" of some form or another.

To see a bootleg version of the short on YouTube, click here.

Friday, July 18, 2014

Pretty Bird: DETECTIVE COMICS #561

Previously in Detective Comics...


Detective Comics #561 starred Batman and Robin in a story by Doug Moench with art by Gene Colan and a cover by Ed Hannigan.  Green Arrow and Black Canary teamed up in a backup strip titled "In the Grip of Steelclaw" written by Joey Cavalieri and drawn by Jerome K. Moore.

The story opens with Black Canary putting a hurt on two minor drug pushers at the Star City Harbor. She's on her own and well aware that Green Arrow would disapprove of her aggressive approach to climbing up the criminal ladder.  She doesn't care, though; she wants to bring down Star City's underworld from within and this is how she's going to get inside.

Black Canary beats one of the pushers and dangles him over the edge of the wharf.  She grills him on the influx of heroin coming into the city, and he dishes on a mysterious man named Steelclaw who has been taking over the drug trade.  Black Canary drops the pusher into the water and warns the remaining hood not to get in her way and not to even think about making a play in Star City without cutting Black Canary in on the action.

From there she heads to Ye Olde Sail Shop where she wonders why the criminals have been so quick to confess to her.  She considers the possibility that her Canary Cry has some sort of hypnotic effect on the men.


Steelclaw wants more than a mere fifty percent of the action and demands that his lackeys tell him who is bringing the heroin into Star City.  They tell him it's Marty Costa, a real-estate developer who resents the fact that zoning laws prevent him from building more than housing on his land.  Costa plans to turn his own buildings into low-income housing and then flood the area with drugs so the city will grant him permission to redevelop his own way.

Steelclaw asks the lackeys why they think the Mayor of Star City will let Costa get away with this.  The men laugh at the mention of the mayor and inform Steelclaw that Costa has a plan to kidnap the mayor's son if he makes any attempt to stop Costa's plan.  Steelclaw is noticeably taken aback by this news, and even blurts out "Brucie" the name of the mayor's son.  Why would Steelclaw know the mayor's son's name?  And why refer to him so familiarly as Brucie?

We don't know because at that moment, Black Canary gives away her position by coming down creaky stairs.  She announces to Steelclaw and the others that she wants in on the drug action and any move they make against Costa.  Steelclaw isn't happy about welcoming her into the game.  He opens his cloak and sprays the room with knockout gas.  Black Canary is rendered unconscious because that's what happens always.


Elsewhere in Star City, Green Arrow is out on patrol hoping to find Black Canary when he comes across a trio of kids dangling from a faulty elevator at a construction site.  Green Arrow fires three zip-line arrows into the elevator and the kids swing down to safety.  Moments later, the elevator car crashes to the ground as Champion comes flying out with a sophisticated looking antenna dish in his possession.

Champion tells Green Arrow that he had enough time to "rescue" the dish for the company that will pay him handsomely for salvaging their property.  Green Arrow is disgusted that Champion saved the dish while the kids would have died were it not for him.


Else-elsewhere, a street man plays a game of chess in front of a group of spectators.  Actually, he's playing three chess games and wins all of them at the same time, confounding his opponents and the crowd of onlookers.  A white-haired woman steps out of the crowd and hands the chess master a business card, telling him to give her a call if he wants to make some money.

Aside from the last page with the chess player that comes out of nowhere--I don't know what that's about--aside from that, the issue is a lot of fun.  Black Canary got to kick ass and pretend she's a dangerous criminal upstart.  Then she gets captured, because tradition!

I can't wait for Champion to get his comeuppance from Green Arrow; finally, Ollie's self-righteousness has an worthy opposite with an interesting gimmick.  I still get a kick out of Steelclaw.  His look is simple but that's what makes it work.  Will the next issue reveal his connection to the mayor?  We'll have to wait and see.

Come back next Friday for the next part of Green Arrow and Black Canary's continuing adventures in Detective Comics...

Thursday, July 17, 2014

Society Dame: Justice Society of America #4

Justice Society of America #3 is written by Len Strazewski with pencils by Tom Artis, inks by Frank McLaughlin  Burchett, and a cover, once again, by Tom Lyle.  The series is edited by Brian Augustyn along with Mike Gold, who edited Black Canary's miniseries, her ongoing series, and her first arc in Action Comics Weekly.  The issue is cover dated June 1991 and hit the shelves in April.

"Vengeance from the Stars Chapter 4: Evil of the Ancients" begins with archaeologist Carter Hall being led into a cave by William Wildeagle, a Native American expert in ancient tribal art found in the southwestern United States.  The power generating the lights in the cave flickers on and off as this part of the story takes place at roughly the same time as the previous two issues.

In the cave, William shows Carter some tribal wall art that dates back thousands of years and depicts animals and images created in the same style as cave paintings found throughout the world.  The two scientists speculate on what could have caused different races and cultures separated by oceans and eras to focus on the same types of mythological concepts.  Carter suggests the possibility of shared "racial memory"...


So Carter's theory suggests that giant monsters from the heavens may have terrorized prehistoric man to the point of inherited fears and superstitions being passed on throughout the ages.  He recognizes it's a crazy, not scientific idea, but William doesn't dismiss it at all.

Then the earth shakes and Carter thinks an earthquake has rocked the area but William knows that an atomic bomb has been set off nearby.  The two archaeologists don't have time to escape the blast, but thankfully, an enormous and slightly familiar figure sucks up the energy from the atomic explosion, saving their lives.


Carter realizes that the being looks like the constellation Andromeda and that its presence on earth seems to confirm his theory about the ancients.  William is less concerned with the theories than with survival.  Andromeda is heading toward a nuclear warhead depot and they need to get out of their immediately.  They drive away in William's jeep; Carter gets out at the museum while William goes to get the army for help.

In the museum, Carter puts on the Nth metal wings and mask of his heroic alter ego, Hawkman.  He also grabs an ancient spear and shield.


By the time Hawkman catches up to Andromeda, she is at the warhead depot and beating the crap out of the army and their tanks.  He tries to distract the monster, and she shoots him with lasers from her eyes.  The lasers are rebuffed by the wooden shield and he figures that while the constellation seems to absorb energy, it has a weakness to wood, just like Green Lantern.


Hawkman advises the army to build wooden battering rams to fight it while he spears Andromeda in the hand.  She lashes out savagely and knocks him around, but he regroups and grabs the chain that is linked to her arm.  He wraps her up and binds her, but Andromeda changes shape into a pegasus and bats him into the cliff face.


Andromeda/Pegasus reaches into the depot and pulls out three nuclear warheads.  The winged horse takes off into the sky with Hawkman in pursuit, but before he can get close enough to retrieve or disarm the warheads, she blasts him with her powerful beams.  The energy destabilizes his Nth metal and Hawkman begins to plummet to his death.


Thinking he's about to die, Hawkman sends out a silent declaration of love to his wife, but The Flash catches him in the nick of time.  They stumble relatively unharmed and then get up to watch the constellation monster fly away.  Now able to compare notes on their individual bouts with these monsters, Hawkman and The Flash team up.  Now we see how four solo heroes are starting to come together as one unit.

Even though I like Hawkman better than The Flash, Green Lantern, and yes, even Black Canary, this was easily the weakest of the four issues so far.  For one thing, we have seen and heard this same story four times in a row.  Carter Hall doesn't add much beyond speculation that these monsters may have visited Earth before in the ancient past, but I'm not sure how that's relevant.  Even with the immortal Vandal Savage as our primary antagonist, it sounds like he wasn't the one responsible for unleashing these monsters back in the day so I don't need that kind of backstory.

Also, the action sequences in this story aren't that spectacular and I blame a lot of that on the artist.  I don't know Tom Artis from any other book, but it looks like he recycles a lot of the same poses and shots for Hawkman within this book from page to page.  He never lets the character spread his wings; the panels are always too small and confined for Hawkman.

Anyway, this may be the low point, but now the characters are coming together so next issue ought to turn things around.

Come back Monday for the next chapter of Justice Society of America...

Wednesday, July 16, 2014

Splash Pages from DC Comics Presents #50

Click to enlarge.
After guest starring with Superman in DC Comics Presents #30, Black Canary appeared in the epic two-page splash poster featuring all of the heroes (and The Joker... and Red Tornado) who teamed-up with the Man of Steel throughout the series to that point.  The spread is by Alex Saviuk and Frank Giacoia.

Pictured above: Superman (of course), Adam Strange, Aquaman, The Atom, Batgirl, Black Canary, Black Lightning, Brainiac 5, Captain Comet, Captain Marvel, Captain Marvel Jr., Cosmic Boy, Dawnstar, Deadman, Doctor Fate, Doctor Mist, Element Lad, Elongated Man, Firestorm, The Flash, Gold, Vicki Grant, Green Arrow, Green Fury, Green Lantern Hal Jordan, Green Lantern John Stewart, Happy the Marvel Bunny, Hawkgirl, Hawkman, He-Man, Iron, Jack O'Lantern, The Joker, Clark Kent, Chris King, Lead, Lightning Lad, Little Mermaid, Manbat, Martian Manhunter, Mary Marvel, Mercury, Metamorpho, Mister Miracle, Olympian, The Phantom Stranger, Plastic Man, Platinum, Red Tornado, Rising Sun, Robin, Saturn Girl, Seraph, Sgt. Rock, Shadow Lass, The Spectre, Starman, Sun Boy, Superboy, Supergirl, Swamp Thing, Tin, The Unknown Soldier, Wildfire, Wonder Woman, and Zatanna.

Tuesday, July 15, 2014

Birds of Prey #10 (Oct 1999)

Previously in Birds of Prey...


Birds of Prey #10: "The Wrong Guy" is written by Chuck Dixon with pencils by Greg Land, inks by Drew Geraci, and colors by Gloria Vasquez.  The cover was done by Land and Brian Stelfreeze.

Last issue began with a splash page of the Iron Brigade, the high-tech-looking elite guard of the nation of Koroscova, pointing weapons at Black Canary.  This was followed by a double page splash of Black Canary standing there letting weapons be pointed at her, this followed by a fourth page of Black Canary taking out the Iron Brigade with as much effort as it takes to put on her costume.

This time we have the exact same formula, except on page two Black Canary is standing with a naked Guy Gardner, recently released from a genetic testing cell, and the mad scientist who put him there.  Also, the fourth page features Guy Gardner trashing the Iron Brigade while Black Canary tries to figure out how her former Justice League International partner got there.

Oracle tells Canary that the man isn't Guy Gardner, but rather "Joe" an alien clone created from Guy's DNA with Guy's memories.  Joe as much as confirms this to Black Canary and explains why he's in a Koroscovan prison instead of, like, a different prison.


Meanwhile, Koroscova is none too thrilled about a satellite super-laser being used against their property.  Koroscovan's government has a frank conversation with the President of the United States, and before long, the U.S. is putting Marines near Koroscova and the whole world is wide awake.

Back at the gulag, Oracle warns Black Canary that Koroscovan fighter jets are en route to bomb the place and kill "Joe".  At the same time, the more the mad scientist Popolynsklinov speaks, the crazier and nastier he sounds.  On a hunch, Oracle calls the humanitarian organization that hired her to rescue Popolynsklinov, but the woman she speaks to says they have no record of him as a political prisoner.  Afterwards, the woman leaves her office and meets a mysterious stranger, confirming that she did her part to set Oracle up.


Oracle now suspects Popolynsklinov wasn't a political dissident as she was led to believe, mostly when he says he volunteered for the chance to experiment on an alien clone and gave it super powers!  She does a little more research and discovers he is a legit mad scientist wanted for war crimes.  And she freed him, whilst violating international boarders and, y'know, laws.


Joe Gardner continues to wreak havoc with his new powers by throwing jeeps around the gulag and blowing crap up.  When Black Canary tells him they need to leave before the MIGs blow them all to hell, he grabs her and the doctor and flies away.


Joe leaves Canary and Popolynsklinov on a mountaintop for safety, but before he leaves he pulls Dinah in close for a big kiss.  Then he flies off toward the jets.


Dinah is so disgusted that Basically-Guy Gardner kissed her she might not even notice the fact that he's punching jets out of the sky and waging a war against Koroscova.  Koroscova, on the other hand, has no doubt taken notice.  As has the rest of the world.  The issue ends with Oracle watching the news as the United States, Koroscova, and any other interested player get ready for war.

As usual with a Dixon/Land comic, this issue took about ninety seconds to read.  There are some interesting developments--I like that Oracle is being manipulated so we know she's not infallible.  I also like how Dixon didn't spend too much time on the overly complicated history of Guy Gardner up to this point.  It's not important, and I wouldn't want to be more confused than necessary.

Greg Land's art isn't as offensive in this issue as in others, but there are still a ton of big panels and splashes that speed up the story without giving the impression of added value.

Come back next Tuesday for a review of Birds of Prey #11.