Showing posts with label Birds of Prey (Vol. 3). Show all posts
Showing posts with label Birds of Prey (Vol. 3). Show all posts

Tuesday, May 26, 2015

Episode 12: New 52 Canary

Looking at the troubled and terrible history of Black Canary in the New 52 era. An overview of her awful stories in Birds of Prey and horrible stories in Team 7, with a review of her tale in the recent Secret Origins #11.

On the plus side, we get a preview of Dinah's new series which puts her up front and on stage fronting a band called Black Canary. This looks much better!

Also, an exclusive sneak preview of the upcoming SECRET ORIGINS PODCAST, reviewing the post-Crisis Secret Origins series.

Flowers & Fishnets is available for download on iTunes by clicking here, or you can check out the show's RSS feed right here.

Sample pages from Secret Origins #11 (thanks to Martin Gray), art by Rick Burchett:



Black Canary Sneak Peek, art by Annie Wu:







Music this episode:
"Stupid Girl"
Garbage
Almo Sounds, 1995.

"Violet"
Hole
DGC Records, 1994.

CLICK HERE TO PLAY EPISODE IN ANOTHER WINDOW.

Thursday, December 19, 2013

Top 10 Black Canary Moments of 2013 Part 1

It's the end of the year, which means it's time for news outlets, pundits, blogs, and well, basically anyone with an opinion and the means to express it to formulate his/her Best of the Year lists.

I didn't think I would make a Top 10 Black Canary Moments.  Despite her starring role in not one but two ongoing series for a chunk of the of the year, there was very little to celebrate about Birds of Prey and Team 7.  If you read those comics or my reviews of them, you understand why I'd find it hard to make  even a Top 3 list.

Then, like a dunce getting whacked in the head, I was reminded that Black Canary's appearances were not limited to those comics, or even just within the medium of comics.  A live-action version of the character made a welcome addition to TV's Arrow this season; a 2-D version continued to guide the young stars of the Young Justice animated series; and a non-playable version provided support in the smash hit video game Injustice: Gods Among Us.  (Note: I haven't seen Young Justice, so I couldn't include it.)

With that in mind, what was good (or great) enough to make the list?

10.  Speaking of Lists...

Black Canary was considered for two different Justice League teams in 2013.  She made neither, of course, but as the saying goes, "It's an honor just to be nominated."

After Atlantis attacked the United States in the crossover event Atlantis Attacks "Throne of Atlantis", the Justice League decided to open their ranks to new members.  Black Canary was invited up to the satellite for a little costumed mixer that ended predictably with a robot trying to destroy all humans.

From Justice League #18, art by Jesus Saiz.
Alas, Batman filled the openings with the precocious Firestorm, the treacherous Atomica, and the heretofore unknown Element-Woman.  Yeah, Black Canary, who chaired the Justice League in another universe, lost her spot to Element-Woman.  I think Batman still had a grudge against Dinah for choosing Poison Ivy for her Birds of Prey.  I mean, who wouldn't question her competence after that?

From Justice League of America #5,
art by Brett Booth.
But that wasn't the only time Black Canary could have been part of a Justice League.  When the inaugural mission of the government sponsored Justice League of America went... well, let's just say "sucky", Amanda Waller wanted to revamp the roster.

The conceit of this JLA is that each member was assigned a specific opponent in the Justice League should the need or event season arise to go to battle.  In a more perfect continuity, Black Canary's fighting ability ought to be superior to Katana's; I'm not sure that's true now.  And if the goal was to pit someone against Wonder Woman, I have to imagine Dinah's Canary Cry would be more formidable against the Amazon than Katana's, um, katana.  (Actually, I think Hawkman would have been a better foe for Wonder Woman, while Canary could have used her sonic powers to disorient Aquaman.)

Again, Dinah was passed over.  The only character Steve Trevor added to his lineup was Doctor Light... who died immediately after, so maybe it's for the best she got snubbed this time.


9. Cry for Help

In November, Black Canary made a guest appearance in Batman: The Dark Knight #25.  I wrote about this cameo when the issue came out, but the gist is that Batman recruits Canary and Condor to help him track down Clayface.

From Batman: The Dark Knight #25, art by Alex Maleev.
She accomplishes nothing in the story and could have been omitted from the script without any consequence to Batman's investigation.  Still, it was nice to see her popping up in better selling and better quality books.  And she gets a motorcycle again!


8. Victory at Last

More than two years into the New 52, Black Canary has fought and beat exactly one real super villain who previously existed in comics.  And it wasn't in Birds of Prey and it wasn't in Team 7.  It happened in the pages of Justice League, where Dinah earned her first credible takedown in a rooftop battle with Copperhead.

From Justice League #18, art by Jesus Saiz. Again.
Oh man... I just realized she didn't even beat him by herself, Cyborg helped.  Jesus!  I know there are characters who have been more blatantly--and possibly spitefully--mistreated by the New 52, but the ways in which everything positive about this once respectable character have been perverted or discarded since September 2011 is utterly depressing.

I'm going to tell you right now that nothing from the past year of Birds of Prey or Team 7 make this list.

To Be Continued...

Saturday, December 14, 2013

Canary Comics for March 2014

DC released their solicitations for March 2014.  Black Canary's name only pops up in two items, so if she's guest starring in any of the Forever Evil tie-ins or the latest issue of Injustice Year 2, it's not significant enough to make the solicits.

BIRDS OF PREY #29.
Written by Christy Marx
Art by Robson Rocha and Jonathan Glapion.
Cover by Jorge Molina
On sale March 19.
32 pages. $2.99 US.

Black Canary confronts Ra's al Ghul, who makes her an offer that could save her husband! Is she willing to pay the ultimate price?

Damnit, I just want to wipe my hands of this series and be done, but the story is improving, albeit at glacial pace.  And now Christy Marx is bringing Ra's al Ghul into the mix?  This has me intrigued because of how Dinah is connected to Ra's al Ghul's League of Assassins in Arrow, and how she almost married him way back in the Chuck Dixon era of Birds of Prey.  Grrr!!! I think I may have to stick with BoP after all to see where this story leads.

Also, is Robson Rocha taking over art duties full time or just for this issue?  He helped Romano Molenaar on issues #22 and #24, so he's not coming out of nowhere.

Of course, the biggest and bestest news to come out of the March solicits is for a book that's not even coming out until May...


BLACK CANARY AND ZATANNA: BLOODSPELL HC
Written by Paul Dini
Art and cover by Joe Quinones
On sale May 21
144 pages. $22.99 US.

Two of the DC Universe's brightest stars join forces in this original graphic novel!  A year ago, Black Canary infiltrated a gang of female criminals set to pull a dangerous heist at a Las Vegas casino.  Its leader was skilled in hand-to-hand combat and more than a passing interest in black magic.  Rather than be captured by Canary or the law, she went to her death, vowing to get revenge on Canary!  Now, one year later, death stalks those gang members, and Canary must turn to her friend Zatanna to help investigate.  This title also includes a special sketchbook section.

You could've knocked me over.  I had heard this was out there for a couple months.  I had seen sample pages, even the pre-order page on Amazon.com.  But somehow I didn't believe.  Couldn't believe it.  It seemed too good to be true.  An original Black Canary graphic novel: Holy crap!

And she's not partnered with Green Arrow or Batgirl or anyone else you'd expect.  It's her Fishnet Sister, the Mistress of Magic, Zatanna.  Plus, that creative team!  I first noticed Joe Quinones during Wednesday Comics where he drew the Green Lantern tale.  Great stuff, there.  And Paul Dini, who knows both of these ladies pretty well from his involvement with the DC Animated Universe, fills me with hope that this story will approach the characters from a place of love instead of cynicism.

Friday, December 13, 2013

BIRDS OF PREY #25 (New 52) - Zero Year


Over in the pages of Batman, the titular hero's origins have been rewritten for the New 52.  One of the major moments of Batman's "Zero Year" is a city-wide blackout caused by The Riddler.  In November 2013, a number of DC comics tied into this event to show where characters like Clark Kent, Barry Allen, and Dinah Drake among others were six years ago.  What kind of characters were they during "Zero Year" and how did the events of that time shape the kind of heroes they would become?


Birds of Prey #25: "Sunrise" is a Zero Year tie-in set six years before the current events of the ongoing series, and extended to 28 pages at $3.99 instead of the usual 20 pages for $2.99.  The issue is written by Christy Marx, with art breakdowns by Scott McDaniel, pencils by Romano Molenaar and Daniel Sampere and Travis Moore, inks by Jonathan Glapion and Vicente Cifuentes, and colors by Chris Sotomayor.  Jorge Molina drew the cover... and what a horrible cover it is.  The idea is nice, showing a younger Dinah defending herself from a gang in what looks like a street-cycling prototype of her Black Canary costume.  But the colors drown out any sense of pop or dynamism about her costume.  Everything sort of washes and blends together.  And, my lord, what is wrong with her face?!!  That could be the ugliest depiction of a beautiful woman I've ever seen in comics!  Why didn't the editor laugh at this and pass it back demanding a redo?

...Okay, moving on...

Six years ago, Dinah Drake is teaching a martial arts class at her dojo in Gotham City.  There is an alter on the wall to a Sensei Desmond Lamar, who we'll meet later in the story.  Dinah's instruction is interrupted by a street gang running a protection racket.


Dinah quickly disarms and beats down the five thugs, showing her students exactly what they could accomplish if they heed her wisdom.  She sends the gang running, declaring that neither she nor her dojo will cower to criminals.

After class, she cleans the dojo, which is also her home, and later visits the grave of Sensei Desmond.  She is restless, at a crossroads in her life.  The dojo is failing as a business and she doesn't know what to do with her life.

We jump back even further into Dinah's past, to the moment when she first met Sensei Desmond.  Dinah had runaway from her foster home and scrounged food out of Sensei's dumpster when he found her and took her into his home.


He gives her a place to stay and a worldview that isn't full of anger and hatred toward other people.  Over time, she starts to pickup on the fighting lessons he teachers his students until she is old enough to be trained.


Sensei Desmond dies of brain cancer a few years later.  By that time, he was as much a father to Dinah as a teacher, and his death is devastating to her.

On the subway coming back from the cemetery, all the power goes out.  Dinah takes charge and helps get the commuters off the train and back to the street safely.


Hey, it's that woman again!  The old black lady, Miz Etie, who shared a table with Dinah back in issue #18, and then met Condor outside the bank in issue #22.  Who is this 99 year-old woman (although, I guess she'd be 93 in this issue), and why does everyone call her "Mother"?  And why is she so concerned with Dinah after all these years?

Elsewhere, the military is monitoring the blackout.  John Lynch, who will create Team 7 a year after these events, is told by a commander with what look like cybernetic parts on his head that the blackout was caused by an electromagnetic pulse set off by a terrorist.  The commander says someone named Ye tried to warn them of the EMP, and sends Lynch to Gotham to retrieve Ye.

Hang on, if it was an EMP how come the flashlights were working in the tunnels?  Wouldn't those be killed, too?


It's a blackout caused by an EMP--where's all the light coming from?  Dinah's running around the streets, saving Vietnamese grocers and stopping looters complaining about the lack of power or traffic.  But everything looks fine.  The lights are on!  I don't think Chris Sotomayor knew what he was coloring when he got these pages.  This shouldn't be more than a cosmetic mistake but it really bugs be because I have long complained about the editing on this series--without ever naming the editor(s).

Dinah finds someone in a nearby alley.  It's Ye, and he's been fatally wounded.  He passes the tracker with intel valuable intel for the military that was hardened against the EMP.  He tells her to find Lynch, but of course he dies before telling her who Lynch is or why she should do that.


Then the ninjas show up.  They killed Ye and they want the tracker.  They chase Dinah who employs her mastery of the various martial arts forms that Sensei Desmond taught her to defend herself, even taking a number of ninjas out so that the leader demands more forces be unleashed on her.

Back in the alley, Lynch's team finds the dead Ye and one of the living ninjas, who kills himself rather than answer their questions.  Lynch starts tracking Dinah.

The ninjas chase her into a blind alley.  The leader gives her the chance to give up the package and walk away.  She calls his bluff and starts dropping his minions.


Eventually, their numbers overwhelm her.  Just before she is killed, Lynch arrives and the commandos kill all the ninjas except for the leader, who escapes.


How did she know he's Lynch?  He's just the first face she sees that isn't covered by a mask so she assumes he's the one random person a dead guy asked her to find?  God, why is she always so trusting of everybody?!!

Lynch drives Dinah back to her home while filling her in on some of the details, including the involvement of EMP-causing device called a Marx generator.

Wait, what--what, no, no... what the--WHAT?!!  Seriously, Christy Marx you're going to name a device in the comic after yourself?  REALLY?!!  MY GOD THAT IS SO ARROGANT AND STUPID AND--

Oh.  I just looked it up.  Marx generators are a real thing.

Never mind then.

Lynch pulls up in front of Dinah's dojo which is burning to the ground.  She's lost her home, her place of business, her only tie to the man she loved like a father.  She's utterly vulnerable, and that makes her an appealing target for Lynch.

Of course, Lynch isn't picking her up for a date; he offers her a job as a special ops agent, which will eventually lead to her inclusion on Team 7.


The Characters

Dinah is the only member of Birds of Prey featured in this issue and we really learn a lot about her.  Why it took twenty-five issues to get to this point, I don't know, but whatever.

Dinah was an orphan, abandoned by her mother and never knew her father.  She ran away from an unsupportive foster home and was living on the streets eating garbage for a while.  The timeline isn't specific, but based on the art, I would guess she was between the ages of nine and twelve when she first meets Sensei Desmond.  She's clearly a few years older when he starts training her in the styles of Jeet Kune Do, Wing Chun, Jiu-Jitsu, wrestling, boxing and Karate.  We also see him tutoring her in what appears to be book-style homework.  I don't know if she enrolled in school or had any formal education or if that was all Sensei.

Some years pass by the time he dies, and I'm guessing she's about 19 or 20 when this story takes place.  That would make her 25 or 26 in the current continuity.  That corrects an earlier problem I had with her continuity.  I thought to become the kind of high-tier special forces operative she was in Team 7 would require many years of training, which by my calculations would have put her in her mid-30s in the present.  What Marx has done with this issue is establish her extensive physical training over years in her childhood, so that even with only a year of military training under Lynch, he would choose her for his select team.

Impressions/Questions

There are problems with this story.  The art is mostly fine; the three different pencilers don't get in each others way, but the colors during the blackout really, really take me out of the story.  There's also the superficiality of the ninjas as antagonists in the third act.  There's nothing special about them and Lynch even blows off the answer so we don't really care.

Then there's the cameo by Etie, or "Mother".  It's kind of a nice nod to Marx's current story, but it's also a bit distracting because nothing comes of it later--unless she's the one who burned down the dojo!

Maybe the biggest problem, though, is how conveniently things come together in the end.  I know Marx was bogged down by the crappy continuity she inherited, but the union of Dinah and Lynch at the end is too fast, too simple, too contrived.

On the other hand, there is a lot to like about this issue.  I feel like I finally know who Dinah Drake is in the New 52.  She is not the Dinah Drake, or the Dinah Laurel Lance of pre-Flashpoint DC; she's someone else.  She's an orphan without family connections who was adopted by a loving sensei that taught her various fighting forms.  Then she was "adopted" by a harsh military man who taught her how to fight and kill for the government.  Then she fell in love with and married a man who helped her control her meta-human power.

Actually, that last one doesn't mesh.  She only used her power once before Kurt Lance supposedly died!  That whole bit of her history was screwed up by the end of Team 7.

This was definitely one of the best issues of the series, but considering I have never given a chapter from this series an A, that isn't saying much.  And I still won't.  This isn't the best, but it's pretty good.

Grade: B+

Thursday, December 12, 2013

BIRDS OF PREY #24 (New 52)


Black Canary and Condor were captured by Condor's former teammates--Hydra, I mean Basilisk terrorists!  Regulus, the leader of Basilisk, has mysterious plans for Canary.


Birds of Prey #24: "Together Again" is written by Christy Marx, with art breakdowns by Scott McDaniel, pencils by Romano Molenaar and Robson Rocha, inks by Jonathan Glapion and Oclair Albert, and colors by Chris Sotomayor.  Jorge Molina provided the cover art depicting Dinah's agonizing moment of discovery that her husband is alive.

We pick up with Batgirl and Strix scrambling to the roof of the Birds' hideout only to watch their comrades whisked away in an air transport.  They have no idea where Basilisk is taking Black Canary and Condor, which doesn't matter because even if they did they have no means to follow them.

Luckily, there's a storytelling thing called deus ex machina that Marx utilizes effectively albeit overtly right here.

A mysterious stranger in a suit and shades shows up on the roof at that exact moment and offers his help.  Basically, he tells Batgirl, "I know where your friends are going...but I can't tell you how. And I'll help you get them back...but I can't tell you why."  Batgirl is justifiably suspicious, but desperate enough that she trusts this guy who she vaguely remembers as a former Gotham detective that worked for her father once.


Yes, this mysterious "benefactor".  That's a convenient enough cover that never needs to be explored if this plot hole is ignored.  Okay, I'm going to assume that the benefactor is Amanda Waller.  Why?  Well, last issue we saw that Regulus has Kurt Lance's body preserved in a stasis pod, but way back in issue #0, we saw that Amanda Waller was in possession of Lance's stasis pod.  That means, at some point in the last year Basilisk acquired Lance, and I'm betting that Waller wants him back.

We return to Basilisk's fortress in the Andes Mountains, where Dinah comes face to face with the husband she thought she killed five years ago.


Then, after a pretty lackluster kick, Dinah discovers the truth about Regulus!


That's right, Regulus is Dean Higgins...sort of.  Dean Higgins, the member of Team 7 that nobody cared about and that the writer(s) as often forgot about.  The teammate so useless and devoid of character, that he didn't even get a death scene in the final issue.  They just stopped drawing him on the pages!

Well, Marx decides to pounce on that continuity gaffe, by explaining that when Dinah used her sonic scream to level Kaizen Gamorra's palace, Higgins, the Kaizen, and some creepy psychic children all fused into one being: Regulus.


Okay, whatever.  It's strange, it's not clean, but it works and it creates a powerful villain with a genuine tie to Black Canary's history and a personal beef against her and her former teammates.  I'll take the consolation prize over nothing.

Meanwhile, Condor wakes up in another part of the compound.  Like Dinah, he cannot access his telekinetic powers.  Tsiklon leads him around the place where he meets up with Hammerdown and Whipcrack and discovers that Regulus has been kidnapping civilians for some reason.  I guess Condor is like a prisoner but they're not worried about him fighting back or trying to escape.  It's like they've brought him back into the fold on a probationary basis.

Batgirl and Strix parachute down to Fortress Basilisk with a crew of paramilitary soldiers waiting to back them up at the base of the mountain whenever Batgirl calls for help.  The ladies take out the fort's surveillance equipment and then go to work on the guards when they discover the captives Regulus had been collecting.


Back in the, um, stasis room, Regulus tells Dinah that he has learned to control Kurt's brain functions, which means he can control Kurt's powers to augment or dampen superpowers.  That's why Dinah and Condor can't access their abilities.


Regulus' plan revealed.  He can shut down all of the superpowers in the world, making everyone a base-line human like he is was.  But he can also activate them again at his whim, which gives him a lot of power to blackmail or auction his control of the superpowers.

Elsewhere, Condor is mouthing off to his former teammates when he sees Batgirl and Strix.  He leads the Basilisk crew right to his new friends.


Is this another betrayal?  Or is Condor going to help Batgirl and Strix fight the others and save Canary...which, I guess, would be another betrayal...?

The Characters

I must admit I was pleasantly surprised by Black Canary in this issue.  Upon seeing her husband relatively alive in a stasis pod, she didn't freak out and start crying.  She didn't try to get him out either, but I'll ignore that for now.  Instead, she was active and tried to fight Regulus.  At this point, it's pretty one-sided, but at least she's taking the fight directly and trying to stop him.

Condor clearly hasn't defected back to Basilisk.  He's playing them so he can help Dinah and Batgirl, though I don't know why Tsiklon gives him the chance to betray them.  I guess everyone in this universe trusts obvious enemies or total strangers with hidden agendas.

Impressions/Questions

I was happy that Dinah's crew were finally getting their own distinct villains, and this issue further solidifies Regulus as a worthy nemesis.  He's not the most nuanced or interesting antagonist (let's be real, he's as cookie-cutter as any '90s hero or villain), but at least he has a layered backstory that is intimately tied to characters like Black Canary and Amanda Waller.  I wouldn't miss him if he was killed, but I kind of hope he survives this encounter to plague the Birds of Prey in the future.

Since the end of the so-called crossover with Talon, this series has picked up a lot of steam (for a series as bad as it was), and Christy Marx is starting to win me over that the book could be salvaged and taken into new and interesting directions.

Of course, next issue is another shameless tie-in to a Batman event.  Oy...

Grade: B+

Wednesday, December 11, 2013

BIRDS OF PREY #23 (New 52)


Not long after taking refuge in Condor's workshop, the Birds are attacked by a group of super criminal terrorists from Basilisk.  Piling one betrayal on another, the attackers reveal that Condor was once a member of their group.


Birds of Prey #23: "Dreams That Never Were" is written by Christy Marx, with art breakdowns by Scott McDaniel, pencils by Romano Molenaar, inks by Jonathan Glapion, and colors by Chris Sotomayor.  Ricken provides yet another misleading cover, depicting a battle we don't find within the pages of this issue.

Before going on, I must say this issue is, by a wide margin, the most pink comic I've ever read.

We pick up with the Basilisk team standing over the unconscious Birds.  The young woman named Uplink is using her telepathic powers to keep Black Canary's team incapacitated, but there seems to be even more than that.  While subdued, each one of the Birds begins to dream of their deepest desires, much like the effect of the Black Mercy plants that Mongul is famous for utilizing.  This effect requires a lot of pink energy.  Seriously.

The team leader, Tsiklon, who is described as sounding Russian, which makes sense given the spelling of her name, prevents the brutish Hammerdown and Whipcrack from killing Batgirl and Strix.  Then she lingers over her ex-lover, Condor, and wonders what he's dreaming of.

(It ain't you, lady!)


Yeah, Condor's deepest desires are cooking for Dinah, massaging her feet, and taking her to bed.

Is she dreaming of him?


Ohh... sucks for Condor; she's dreaming about the time she used her power to destroy Gamorra's palace and maybe possibly buried her husband, Kurt Lance, under the rubble.



What a remarkable comeback!  Dream-Kurt absolves her of the needless guilt over his death, allowing Dinah to redirect her lust on the Condor.  Who still lied to her about being a terrorist, but whatever.

Batgirl dreams of dinner with her family.


In this fantasy, she hasn't killed her brother because he's not a psychopath, and her father, Commissioner Gordon, seems healthy and happy for his kids.


Around this time, the transport arrives to pick up Black Canary and Condor.  Regulus tells Tsiklon that Canary is the real target, which is weird, because I thought the point was to retrieve his wayward enforcer.  What ever could the head of Basilisk want with Black Canary (other than revenge for her integral role in the destruction of the nation of Gamorra and everyone living there)?

Strix dreams of her childhood.




I guess Strix doesn't have happy dreams or memories, because even in this state she cannot escape the trauma that created her.  It's enough to break Uplink's control, resulting in a psychic feedback that knocks Uplink out.

Black Canary and Condor have been loaded onto the transport in capsules to keep them unconscious.  Batgirl and Strix recover and fight Whipcrack and Hammerdown.


Strix's sword does little against Hammerdown, who batters her into a wall.


Their primary objective completed, Tsiklon gets her soldiers out of there and the transport takes off, carrying Dinah and Condor to Basilisk's South American base.  Batgirl and Strix can only stand and watch helplessly, wondering what manner of convenient storytelling will help them find their friends next issue.


The issue ends with Dinah crawling out of her capsule, realizing she cannot use her sonic scream.  But the only thing--the only person--who could dampen her power was her husband.  Dinah wakes to find Kurt's body in a stasis pod, and the evil Regulus looming over them both.

The Characters

The dream sequences are a nice, convenient way to show each of the Birds' personal motivations and desires.  Condor, in spite of his criminal past, seems to genuinely love Dinah and wants to spend his life with her.

Dinah still feels the guilt over Kurt's death, but is it abating so she can move on to Condor?  Also, why does she always talk about how Kurt Lance could control her power.  According to Team 7, she only got her power in their disastrous final mission, and Kurt only boosted her power; he never dampened it.  And he only affected her power twice--once to horrible, horrible effect!

Batgirl wishes her family could be safe and happy.  Heh.  Not in Gotham.

Strix can't sing even in her dreams.  That's rough.

Impressions/Questions

After last issue really impressed me, this one takes a step back.  A lot of that has to do with how little is actually in this issue.  There are nine pages of dreams/flashbacks.  Nine out of twenty; damn near half the issue is pink!  Now, some so-so characterization emerges from these dreams, so it's not all bad, but it felt like so much filler.

What I do appreciate about this story is that, despite continuity errors and gaps in logic, it really seems like Christy Marx is trying to tackle the mystery of Dinah's husband and get it over with.  Thank God, man, it's been two years!

Grade: B-