Showing posts with label Crisis on Infinite Earths. Show all posts
Showing posts with label Crisis on Infinite Earths. Show all posts

Thursday, September 4, 2014

Black Canary in Crisis on Infinite Earths Part 1

The historic, line-altering magnum opus, Crisis on Infinite Earths written by Marv Wolfman and drawn by George Perez, featured almost every DC hero yet established by that point, and even created a couple of new ones.  Naturally, Black Canary appeared in the pages of Crisis, but she wasn't an important part.  She was little more than a cameo in a few issues, although she had a bit of action in issue #6.  Since an in-depth review and analysis of the whole twelve-part event could take up entire book, I won't cover all of Crisis on this post.  Instead I'm going to spotlight Black Canary's few appearances in the series.

Black Canary does not appear in Crisis until issue #6, when she's among several other heroes trapped on the Monitor's satellite as it begins to crumble around them.


She witnesses Harbinger fly into the satellite's core before it explodes...


The next we see of Dinah, she has been transported to the Captain Marvel Earth along with Supergirl, Wonder Woman, and Changeling.


Unfortunately, Captain Marvel and the Marvel Family are more-or-less brainwashed.


Captain Marvel mistakenly believes that his world is coming to an end because of the sudden appearances of Supergirl and the other heroes and he lashes out at them...


Black Canary realizes that Psycho-Pirate is alive and manipulating the Marvel Family.  When Mary Marvel and Captain Marvel, Jr. team up against Wonder Woman, Canary finally does something useful and directs her sonic scream against the Marvels.


After that, Black Canary appears two more times, essentially as a background character with no dialogue.  In issue #7, she's still with Supergirl's team and the now right-thinking Marvel Family.


And she appears in one panel of issue #9, where she and Green Arrow take on some sixth-rate super villains.


That's it.  Black Canary didn't play a significant part in Crisis on Infinite Earths, although perhaps I should be grateful she didn't die.  Tomorrow, though, I'll be reviewing Justice League of America Annual #3, a Crisis tie-in where Black Canary actually does stuff.

Wednesday, July 9, 2014

Team-Up: SECRET ORIGINS #32 (Nov 1988)

I wrote up a nice little introduction for this review explaining how Black Canary replaced Wonder Woman in the Justice League's original lineup after the universe-altering events of Crisis on Infinite Earths.  Then I read Mark Waid's "Secrets Behind the Origins" segment in the letters' column of Secret Origins #32 and realized--to absolutely no one's surprise--that he put it a hundred times more clearly and concisely than I could:

"When the decision was made to retell the origin of the original Justice League of America (first shown in JLA #9, 1962), certain publishing realities affected the story; most important, in DC's post-Crisis universe, Wonder Woman didn't make her heroic debut until long after her former comrades Aquaman, Martian Manhunter, Flash and Green Lantern.  Plotter Keith Giffen and editor Mark Waid briefly discussed the idea of simply leaving a female member out of the original JLA but eventually dismissed the idea.  Not only was the League never really a "boys club," but there was something more substantive and--oh, gosh, just more "leaguish"-- about a five-member team... which is how Black Canary ended up being the fifth "mystery" member of the Justice League of America."

Yeah, that's better that mine.


Secret Origins #32: "All Together Now" is scripted by Peter David from a Keith Giffen plot based on the original story from Justice League of America #9 by written by Gardner Fox; Eric Shanower drew the heck out of the issue, with Gaspar providing lettering, Gene D'Angelo the coloring, and Mark Waid editing.  Shanower's cover shows the new old League monitored on screen by current members of Justice League International.

On the distant alien world of Appellax, the ruling Kalar has died.  According to Appellaxian custom, whoever assassinated the former Kalar gets to be the new one, but seven different Appellaxians are all claiming credit for the murder.  An Appellaxian official, like a grand vizier or something, explains the other Appellaxian custom that the seven candidates must battle to the death for the right to be crowned Kalar.

The problem is these types of civil disputes have historically decimated Appellaxian populations, so the vizier tells them they will have to fight on planet Earth.  The seven contenders' minds are transferred into host bodies of different forms and rocketed to Earth in seven meteors.

The first of the meteors lands near Middleton, Colorado, where the Martian Manhunter soars high enough over his city that no would can recognize his alien form.  As he wonders doubtfully whether people of Earth would accept him if they knew the truth, he views a bizarre happening down below.


The statues, J'Onn realizes to his horror, are the people of Middleton.  What could have caused this horrific transformation, he doesn't know, but from roughly a mile away J'Onn hears the thudding steps of a giant creature.  Turning invisible, J'Onn follows the sounds until he finds the first contender in the shape of the giant Stone God.

The Stone God shoots eye-beams that change people into stone statues.  The Martian Manhunter flies around using his super-Martian-strength to punch the stone monster.  It has no effect, so he switches tactics and tries probing the Stone God with telepathy.  That, too, fails, and even worse, the psychic backfire hurts J'Onn and gives the Appellaxian the knowledge of his Martian enemy, particularly his weakness to fire.

The Stone God wrecks a gas station and then ignites the gasoline, creating an inferno that threatens to engulf the Alien Atlas (that's for you, Frank).  Still invisible, J'Onn crashes into a fire hydrant, using the water to fend off the blaze and rejuvenate his powers.  The giant walks off, and for a moment J'Onn considers waiting long enough for the fire to burn itself out... But that would put more people in danger.  The Martian Manhunter will not be paralyzed by fear.


With all his Martian might and resolve, J'Onn flies through the inferno and smashes into the Stone God, shattering the Appellaxian's battle form.  The effort, while successful, is enough to knock J'Onn unconscious.  This is a really strong moment for Martian Manhunter and it would be a great, iconic page except that J'Onn is invisible for almost the entire scene.  The drama of the moment is a little undercut when the hero appears as barely any more than thought bubbles.

When he awakens, the people of Middleton have reverted back to normal.  And they're quite intrigued by the green-skinned humanoid among them, meeting the honesty of his Martian origin with incredulity and speculation.  J'Onn doesn't stick around long.  During his brief telepathic connection to the Appellaxian, he learned that six more were bound for Earth.  He takes off looking for the next would-be alien conqueror.

And one of those aliens has landed in the middle of the sea where we find Aquaman who only just found Atlantis earlier that day, putting this story canonically right after Aquaman's flashback tale in Adventure Comics #260.


After the second Appellaxian, the Mercury Monster, transforms Aquaman into a floating blob of mercury, he needs to resist panic and his own insecurities and figure out what to do.  Unable to do anything but ride the currents, Aquaman tries to attack the Mercury Monster, but that proves futile.  His movement is limited and haphazard and the Appellaxian has control over Aquaman and the other fish and sea life it has transformed to liquid metal.  At one point, Aquaman freaks out because one of his arms is almost separated.  This seems particularly noteworthy in hindsight, because writer Peter David would take Aquaman's hand off in a story five years after this.

Aquaman is near despair.  He doubts the formidability of his powers and his status as a hero.  But when the Mercury Monster heads toward Atlantis, Aquaman realizes he must act and defend his newfound home and people.  He spies a nearby whirlpool and suspects that the mercury blob would have no conception of what the whirlpool can do; all it wants is to convert more fish to mercury and bolster its forces.

Aquaman uses his telepathic powers to send the fish toward the whirlpool.  The Mercury Monster follows the fish until it is caught by the whirlpool's force and ripped apart.  The effect of the alien's death transforms Aquaman back to normal.


Damn, Aquaman!  You think your powers are useless and Superman wouldn't have anything to do with you?  Get some confidence already.

Elsewhere, a fledgling hero steps out one one of her first adventures.


Hearing the sound of a scream, Black Canary leaps into action, jumping from a fire escape to the alley before.  She sees someone harassing a woman and--taking a moment to deepen her voice so the perpetrator will take her seriously--demands the mugger surrender.

Except it's not a mugger; it's Glass Man, the third Appellaxian, who uses eye beams to turn people into glass.  The Glass Man tries to shoot Black Canary, but she dives out of the way.  Retreating to the street, she realizes that the monster has transformed even more people into glass.  Also, he's still coming for her.  She leaps away, but the Glass Man's gaze manages to turn one of her legs to glass.

The Appellaxian laughs at his prey, and that's enough to really piss her off.


Black Canary manages to get information about the meteor landing in the Everglades.  Black Canary speeds down to Florida in her car and sneaks past the police barricade.  She makes her way through the dense foliage, crossing her fingers that she doesn't ruin her fishnet stockings.  She spots the meteor... and something more.  A tree in humanoid shape speaking in an alien tongue.  When Black Canary approaches, she becomes frozen and demands the tree-person free her.  Now speaking in English, the tree-person says he is not responsible, that he is as much a prisoner as she.

Meanwhile, Hal Jordan, the Green Lantern of Space Sector 2814, returns to Earth after meeting the Guardians of the Universe and other members of the Green Lantern Corps for the first time.  This would put this story right after the events of Green Lantern #1 from 1960.


Hal's interest in the meteor picks up when he sees it suddenly change speed and direction.  Instead of burning up in Earth's atmosphere like a good meteor, this one crashes relatively safely in Africa.  Hal pursues the object in curiosity, while mulling over a few heroic catchphrases in his head.

From out of the meteorite comes the fourth Appellaxian contender in the shape of a giant yellow bird.  This Golden Roc fires eye beams that, just like the others, transform other people and creatures into beings not unlike itself.  Green Lantern's ring, of course, is useless against the color yellow but he dries some indirect attacks against the Golden Roc.  Faster than he expects the bird to move, it grabs Hal in its golden talons, and its touch begins changing Hal into a gold feathered creature.

Hal fires his ring into a cloud setting off a hail storm that distracts the Golden Roc enough that it lets Hal go.  Still in danger of changing, Green Lantern leads the big yellow bird on a chase into a waterfall.  When the Roc flies into the waterfall, Green Lantern freezes the water.  This destabilizes the Appellaxian's battle form enough that Hal and the other animals changed by the Roc revert back to their normal form.

After taking the animals to a zoo, Green Lantern realizes that more meteors have crash-landed on Earth.  He heads off toward the one meteorite believed to be unopened in the Florida Everglades.  When Hal arrives, voices from the woods try to warn him.

In England, the Flash had been meeting the Queen when he was asked to help put out some fires in the South London down of Croydon.  When the Flash arrives, he is shocked to see a Fire Giant, the fifth Appellaxian in a form that looks like, well, like a fire giant.  Barry Allen tries to blow out the Fire Giant by waving his arms at super-speed, but it only seems to embolden the Fire Giant.

The monster glares at Flash, which causes Flash to begin to transform into flame.  He immediately vibrates his molecular structure at the speed necessary to break the Fire Giant's connection.  Then Flash runs over to a standing body of water and circles it fast enough to suck up the water in a vortex and dump it on the Fire Giant.


When wind, water, and sand fail to extinguish the Fire Giant, Barry remembers the basic Flash Fact that fire requires oxygen to burn.  So he runs around the Fire Giant at such super-speed that he removes the oxygen from the surrounding air.  At last, the Appellaxian collapses, its battle form ruined.  The alien screams to unseen forces that he doesn't want his mind ripped from him, that he wants another chance.  Then he slumps over dead.

The Flash speaks to some of the Croydon citizens and one of them tells Flash about the other alien meteors arriving on Earth.  Flash runs across the Atlantic Ocean to arrive in the Everglades after the other heroes.  But when he arrives, he, like them, is transformed into a living tree.


The heroes banter for a short time and J'Onn tries to understand how they use humor to fend off terror.  Then the meteorite cracks open and the sixth Appellaxian steps out in the form of the Wood King.  This alien reveals to the heroes that he intentionally delayed his arrival, and now, thanks to Aquaman and the others (not that Aquaman and the Others), the alien only has one more contender to destroy before he can become Kalar of his home world.

The Wood King psychically commands the five heroes to follow him to Antarctica to battle the last Appellaxian.  Aquaman has no desire to walk from Florida to Antarctica, and little desire to serve as a tree soldier for the Wood King.  Using his own telepathic abilities, he is barely able to control his own physical body; it's not much, but it's enough to knock into Martian Manhunter who knocks into Green Lantern.  Using his own mental abilities, J'Onn is able to resist the Wood King's influence enough that he scrapes off the wood around Hal Jordan's ring.  Green Lantern only has enough will and aim to shine his ring's light on Black Canary's head, freeing her from the Wood King's power just temporarily.


Black Canary uses her Canary Cry on the Flash, pitching it at just the right frequency that it shatters the wood around his body, freeing the Fastest Man Alive.  The Flash launches himself at the Wood King with a volley of "a million high-speed punches".  He basically beats the Wood King to splinters, destroying the penultimate Appellaxian's battle form.


The five heroes agree to work together in bringing down the final Appellaxian.  Green Lantern and J'Onn J'Onzz fly, with Hal carrying Black Canary, Aquaman and the Flash in a bubble created by his ring.  During the journey south, Martian Manhunter notes that Green Lantern seems to be the only one completely at ease with an alien in their ranks.  Green Lantern, who just hours ago discovered he was part of an intergalactic peacekeeping force full of aliens, shares his first name, "Hal" to which the Manhunter from Mars says, "J'Onn."

When the group finds the meteorite in Antarctica, the Crystal Creature has already freed itself.  But it also ran afoul of Superman who has just destroyed the last Appellaxian.  The Man of Steel dusts off his hands and takes off, seemingly not noticing the heroes behind him (although with his super-senses, that seems nearly impossible).  The group is bummed out by their non-brush with celebrity and Black Canary mentions she was looking forward to working all together to fight the Crystal Creature.  "Safety in numbers," she says.  That lights up a bulb over Flash's head and he gets an idea.

Flash pitches the idea of working together as a team.  J'Onn is reluctant because it would require him to publicly out himself, but Barry counters that revealing himself in the context of joining other heroes would be good publicity for the Martian Manhunter--and for all of them.  Black Canary, as the youngest and least experienced of the group, says she loves the idea, that it would feel like a return of the old Justice Society of America.  Hal Jordan floats the team name Justice Society II, which gets shot down, and Barry floats the idea of The Avengers, but Dinah tells him they'll be confused by the TV show about British spies.

Finally they come to the name...


Within the clouds of future members of the Justice League of America are The Atom, Batman, Elongated Man, Firestorm, Green Arrow, Gypsy, Hawkgirl, Hawkman, Phantom Stranger, Red Tornado, Snapper Car, Steel, Vibe, Vixen, and Zatanna.  The notable absences are, of course, Superman who we saw earlier this issue and Wonder Woman, who we established was no longer part of the Justice League and wouldn't encounter the other heroes until the Legends miniseries event.

Peter David is one of the best writers in comics of the last twenty-five years so he's not going to script a crappy Justice League comic.  Keith Giffen and Mark Waid took Gardner Fox's decades-old story and fluffed it up a bit, and David added the right voices and little details that made the characters resonate so well.  With the exception of Aquaman being so down on himself, every character feels pretty right for the time.  J'Onn is a little paranoid of himself and stays hidden until he's encouraged by Green Lantern and the Flash.  Hal Jordan feels appropriately cocky given the weight of their situation, and Black Canary has the spitfire of a young woman looking to prove herself to her mother.

Eric Shanower's art is fan-freaking-tastic in this comic.  I've never really noticed his work before this issue, but it blew me away, particularly his rendering of human faces and expressions.  There's something similar to Mike Allred in how Shanower draws Aquaman and Hal Jordan, and most of his depictions of Black Canary are lovely and luscious.

So did I have any problems with this?  Well, not the issue so much as the effect Crisis on Infinite Earths had on the issue.  This may sound absurd coming from a guy who runs a Black Canary blog, but I don't think she should be a founding member of the Justice League of America.  I love Dinah, but she's not a heavyweight of that caliber.  Wonder Woman should always be one of the original members of the Justice League, as should Superman and Batman.  And their absence is noticeable in both this story and in JLA: Year One, the maxi series that serves as a sequel to this book.  In both of the stories, the League members seem a little rudderless; they lack leadership.  If Wonder Woman was part of this issue or Year One, the League would never feel leaderless.

Speaking of JLA: Year One, I suppose I should review that series sometime soon but there's a lot of other stuff I'm more excited about first.  Hopefully, before the year is over.

Friday, July 4, 2014

Pretty Bird: GREEN LANTERN #194 and DETECTIVE COMICS #555-558

Last week I covered the debut of Black Canary's then-new costume in Detective Comics #554.  For two straight issues, Dinah had taken point on the Green Arrow backup strip.  Now with a brand new look and a more focused identity, Black Canary seemed poised to launch into the upper strata of DC's heroes and heroines.

But then she disappeared from the backup stories in 'Tec for four months.  At the same time, DC was overhauling their entire continuity with the universe reshaping event Crisis on Infinite Earths.  I know Black Canary appeared in a handful of issues of Crisis, but for the life of me I can't remember what she did there.  I've only read Crisis one time and I didn't like it, and I don't feel inclined to wade into it again for the purposes of finding Black Canary in one panel of issue #6 or something.

However, I can painlessly recap her appearance in one of the Crisis tie-in issue of Green Lantern, wherein Dinah and Green Arrow witness the Harbinger take the new Green Lantern John Stewart off to his fateful rendezvous with the Monitor.


Green Lantern #194: "5" is written by Steve Englehart with art by Joe Staton.  The issue begins in Star City where Green Arrow and Black Canary are attempting to evacuate civilians as a building begins to crumble around them.


At the last second, John Stewart, the new Green Lantern of Space Sector 2814, flies by and creates an energy projection of a load bearing support to keep the debris off of Green Arrow and the civilian.  John and his fellow Green Lantern Corps member Katma Tui have just returned from space to find the Earth in the throws of violent environmental disaster.


Ollie tells the Green Lanterns that he doesn't know what's causing the freaky weather phenomena, and Dinah mentions the report that Firestorm mysteriously vanished earlier.  At that moment, the stunning and enigmatic Harbinger arrives.  Harbinger reveals that she is responsible for Firestorm's disappearance, and now she has come to claim Green Lantern as well.

John tells Harbinger he has no intention of going with her, and she warns him that if he doesn't his world is in jeopardy.  John throws an energy vice around Harbinger and tells her he doesn't like being threatened.  Him or his world.  Harbinger, though, effortlessly breaks free of his green construct.  Katma Tui uses her power to reinforce John's will, but neither of them appear strong enough to contain the strange woman.


With Black Canary and Green Arrow down, Katma takes a shot at Harbinger with her ring, but John stops her and ends the scuffle.  John says he scanned Harbinger and he believes she has only come to collect him for a purpose other than attack.  He trusts her and begs Katma Tui to trust him by letting him go alone despite his inexperience.

Just before Harbinger takes him away, she asks him to don the mask he wore originally because that's how the Monitor observed him (and that's how George Perez drew him, I think).


Elsewhere in the story, Hal Jordan is doing stuff that doesn't matter for our purposes.  John Stewart joins Firestorm, Superman of Earth-2, Blue Beetle, Cyborg, and the others aboard the Monitor's ship.  Katma Tui returns to Oa to report the events to the Guardians of the Universe.  After hearing her story, the distressed-sounding Guardians send her bath to Earth to await further orders.

Back on Earth, Katma is visibly shaken by the Guardians' apparent fear.  She tries to warn the Green Lantern of neighboring Sector 2813, but finds nothing there: no Green Lantern, no sector.


While John does Crisis-related stuff, Katma Tui goes to meet with former ring-slinger Hal Jordan.  Hal then finds Guy Gardner just as Guy is granted a Green Lantern ring by one of the Guardians.  Dinah and Ollie, meanwhile, stand together in the cold rain where their story will be picked up in issues of Crisis on Infinite Earths which I already said I'm not going to cover at this time.

For the few pages that Black Canary is in this issue, I like what Englehart and Staton give us.  The obvious point is her tactical judo move that takes Harbinger to the ground.  That the move ultimately proves ineffective is because of how immensely powerful Harbinger is, not because Dinah isn't a badass fighter.

We also get a beat where John Stewart refers to Katma as his girl, and Dinah mentally corrects him with the word "woman".  This seems like a very pro-feminist concern that Dinah wouldn't necessarily believe but that liberal Ollie would have pushed on her.  The Black Canary that we've seen up to this point in continuity hasn't been as vocal in politics or in Ollie's ideals, and she seems too grounded for this thought to even occur to her in the middle of a dire situation like the one they find themselves in. I'm glad she only thought it, because if she said it out loud at that moment when the world is going to hell, everyone would have turned to her and said, "Shut up."

But the other bit of characterization that I really like is when John Stewart calls Green Arrow and Black Canary his best friends in the superhero world.  I've recently read John's early years as a Green Lantern for the first time and I mostly enjoy the stories, but I really like John Stewart as a character.  Most of my exposure to him comes from Justice League and other DC Animated Universe projects, and to me he always seemed incredibly flat and boring in those cartoons.  These comics proved otherwise.

Ollie, Dinah, and Hal Jordan were the famous Hard Travelin' Heroes, but sans Hal I like that Black Canary maintains a connection to the Green Lantern mythos through John Stewart.  And within a few years, she'll have a team connection to the new Lantern Guy Gardner.

4th of July Bonus!!!

Before I return to Black Canary and Green Arrow's adventures in Detective Comics, what has the Archer been up to while his Pretty Bird was away?

Detective Comics #555 includes a solo Green Arrow strip called "The Case of the Runaway Shoebox" written by Elliot Maggin with art by Dicks Dillin and Giordano.  Oliver Queen gets pick pocketed and the ensuing adventure leads to the foiling of a much grander criminal operation.  Black Canary is never seen, but Ollie does refer to Dinah in the very last panel.


This story is pure filler, unconnected to anything from Green Arrow's story in the past couple of issues.  I don't know if "The Case of the Runaway Shoebox" was a reprint, but I'm quite sure it wasn't conceived for this issue as Dick Dillin sadly died five years before this comic hit the shelves.

Detective Comics #556 and #557, however, do pick up where writer Joey Cavalieri and artist Jerome Moore left off.  Not with Black Canary, but with the other woman who was trying to get Green Arrow's attention: Onyx.  The two-part story called "Zen and the Art of Dying" begins with Oliver Queen returning home after he and Dinah wrapped up the Bonfire case in #554.  Onyx, a young whip-weilding woman last seen in #552, waits for Ollie in his home.


When he confronts her, she tells him she was sent to bring him back to the monastery where he trained in martial arts.  Onyx tells the story of Lars, a cruel thuggish student of the Exalted Master who trained her and Oliver.  Lars has been trying to take control of the monastery and its library of powerful teachings.  Only the Master has kept Lars in check, but now the Master is poisoned and Lars is on the brink of taking that power for himself.  Ollie remembers Lars from his days in the monastery; he and Lars did not get along and the bully swore there would be a reckoning some day.

Green Arrow and Onyx arrive at the monastery only to find Lars has taken over and ambushes the two of them with dozens of his men.  Green Arrow draws his bow and manages to disarm most of Lars' followers and capture some with a net-arrow.  Onyx doesn't do so well as she is quickly captured by Lars and taken to the bell tower.

Lars tells Onyx that he wants to open the Exalted Master's ancient and powerful Book of Ages, but he needs something called the Wisdom Key.  The Master, it turns out, hid the key on Onyx's headband, but Lars finds it and sneaks away to the library.


Green Arrow rescues Onyx from the bell tower and they follow Lars to the library.  They're too late to stop him from opening the box with the sacred tome, but they needn't fear.  The book was cursed and when Lars tries to read it, it crumples to dusty vapor that kills him.  Eeek!

Detective Comics #558 features another disconnected Green Arrow backup tale called "Believe Everything I Hear" written by Dean Traven and drawn by Black Canary's series artist Trevor Von Eeden.  Green Arrow saves one of his criminal informants from murder, but misinterprets the wounded man's tip about an illegal shipment coming in that day.


This is another filler issue, though I have less idea of when or why it was originally produced.  It's still a fun story.  All of them are good stories; I really, really enjoyed the two-parter by Cavalieri and Moore.  Revisiting Green Arrow's formative years that don't involve being stranded on an island is a nice glimpse behind the scenes.  And Onyx was a great character that got a little bit of attention in Batman and Detective Comics, but could have been a much more mainstream hero or foil.

Black Canary eventually returned to the pages of Detective Comics with issue #559, where she and Green Arrow teamed-up with Batman and Catwoman in a story I've already reviewed--check it out!  After that, she co-starred with Ollie in the backup strips for the next eight issues.  Dinah brought her all-new costume to the criminal underworld and a direction of the character that was, ironically, closer in line with her very first appearance in Flash Comics #86.

Come back next Friday for the next chapter of Green Arrow and Black Canary in Detective Comics #560...

Wednesday, November 20, 2013

Back in Action: ACTION COMICS #614

Previously...


Every Wednesday, I review an issue of Action Comics Weekly featuring a backup story starring Black Canary among others.  Each installment of Back in Action will look at Dinah's story and touch on my favorite or least favorite moments from the rest of the strips in these issues.


Black Canary's sixth appearance in ACW was issue #614, which features one of my favorite covers of this series.  Mike Mignola, creator of Hellboy, shows Green Lantern in a way that accents the hero's cosmic dimensions with a dash of the gothic mystery Mignola does better than anyone.

Black Canary

"Bitter Fruit" Part 6: written by Sharon Wright, pencilled by Randy Duburke, inked by Pablo Marcos, lettered by Steve Haynie, colored by Tom Ziuko, and edited by Mike Gold.  There is a misprint on the title page, saying this chapter is Part 4 when it's actually the sixth of eight.

This chapter begins with William MacDonald, an Immigration & Naturalization Service official calling a hit on another INS agent named Ellen Waverly.  Why?  Because Ellen is unknowingly close to discovering that MacDonald is corrupt and preventing immigrants from gaining legal status at the behest of...somebody with power.  Maybe a guy named Scales who has his own company.

At the same time, Ellen receives a phone call from a man calling himself Barry Neiman, and he is the mysterious man with the goatee who has been following several characters around throughout the story.  He was turned away from Hector Librado's hospital room at some point before Hector was attacked and put in a coma; is this "Barry" the man who tried to kill him?  Is "Barry Neiman" this man's real name?  We'll have to see.  After that call, Ellen informs Hector's family that she is awaiting documents from another office that will finalize their citizenship.

Meanwhile, in the alley behind Hank Beecham's shop, the forger is getting threatened by two familiar goons.  Dinah rushes the goons with a broken bottle and kicks their asses.  She threatens one with the bottle while demanding answers.  She reveals, perhaps accidentally, that she was the woman with the cowboy who the goons jumped in an earlier part of the story, even though she was in her Black Canary costume then.  The guys say they weren't the ones who knocked her upside the head, and then run away without telling her who they work for.

After the rescue, Hank Beecham takes Dinah inside his store and fills in some useful gaps in the story.  He says that he forged work history documents for Hector to help get him citizenship, and every job he did was paid for, so he had no reason to attack Hector.  But someone else has been muscling in on Beecham's business, trying to get him to retire.  He says the two goons Dinah just fought worked for the Cowboy, who Dinah thinks is named Doug Vallines but is probably named Gary, and Doug Vallines is another guy.

At the Scales building, Vincent Scales gets word that MacDonald is coming to Seattle for some business.  Scales tells Cowboy Gary to prepare the boat so they can go out to an island.

Down in California, the real Doug Vallines is spying on a piece of land that is owned by Scales, but fenced in by the U.S. Department of Agriculture and patrolled by government security forces.

That night, Dinah is sitting alone in her apartment above Sherwood Florist.  She has a sudden idea and dials for Information to connect with Doug Vallines.  She leaves a message--calling herself Bonnie Cardinal again--and says she knows who attacked Hector Librado.





I continue to have the same problems with this story week after week, namely the unwieldiness of the plot and supporting characters, and how the art fails to distinguish different people we barely recognize from page to page.  However, this chapter was a little better and things seem to be picking up steam.  They had better; after all, there are only two chapters left after this.

The highlight, as always, is seeing Dinah in action.  She gets the drop on the goons and gets some valuable information out of them and their target.  I wish we could see her do this in her Black Canary costume--that's kind of the point--but something is better than nothing, I guess.  Revealing her past involvement with them in a different costume seemed like a mistake, though, like a dumb non-blonde thing where she forgot she was supposed to have a dual identity, even if she's "out".

I have mixed feelings about Dinah's phone call at the end.  On one hand, it's nice to see her be proactive, especially if she's formulating a plan or putting the pieces together.  On the other hand, does she really know who she's calling?  Is this message an intentional trick?  A trap?  Is she leaving a message for the real Doug or the fake one she knows?  If this is a trap, will it succeed if the wrong man gets the message?  I guess hope we'll find that out next time.


The Rest

In the Green Lantern chapter, Peter David and Tod Smith treat us to a GL retcon worthy of Geoff Johns.  The ring reveals to Hal Jordan that the reason he is a man utterly without fear is because Abin Sur's ring sort of lobotomized him.  We see the moment where the ring identified the two most worthy candidates for stewardship of the ring: Hal and Guy Gardner, but Hal was closer geographically to where Abin crashed.  But Hal still had some basic fears that the ring erased by rearranging part of his brain.  So in this issue, Hal has the ring reverse that process.  Now Hal Jordan has fears that he must overcome through will power.  "You don't have to be a man without fear," Hal tells himself.  "Just a man."

Writer Paul Kupperberg and artist Tom Grindberg conclude their short Phantom Stranger adventure with the titular character being captured by Ah Puch, the Mayan death god.  I'm a big fan of Kupperberg's writing, and Grindberg creates some gruesome and horrific images in these panels, but somehow, this story didn't really grab me.  Maybe it needed more time to breathe, more pages, or maybe it wasn't right for the Phantom Stranger, whom I have always had difficulty viewing as a protagonist in his own stories.

In the second part of the Nightwing story written by Marv Wolfman and drawn by Chuck Patton, Nightwing and Roy Harper have traveled to London to prevent Cheshire, the mother of Roy's child, from killing a member of British government.  They save the target, but Jade kills an innocent bystander.  In combat, Cheshire proves more than a match for her former lover.  Against Dick Grayson, though, Cheshire must resort to trickery in order to escape.  Later, Roy tells Dick the story of how he hooked up with Jade and got her pregnant.  Even later, Cheshire murders her target by pumping lethal gas into his shower.  Later still, Jade taunts Roy in an alleyway, scoffing at his threats.

This is a really enjoyable story, though I'm not sure why Roy Harper or Speedy doesn't get equal billing with Nightwing, since it's as much his story as Dick's.  I'm a big fan of Marv Wolfman's work at Marvel, particularly in the horror titles.  I never had the same fondness for his DC work.  I didn't like Crisis on Infinite Earths, and I couldn't get into New Teen Titans, though I concede that nobody wrote Dick Grayson better than Marv, and that's why this story works for me.

In the Superman strip by Roger Stern and Curt Swan, the Man of Steel races to the hospital to question the man who tried to kill the other man who told Clark Kent that he--the man--is part of a cult that worships him--Superman--like a god!  Superman arrives at the hospital just in time to find another man attempting to smother the first attempted murderer man.  Fun.

Finally, Mindy Newell and Barry Kitson wrap up Catwoman's adventure in "The Tin Roof Club" part 4.  Previously, Selina Kyle stole an Egyptian cat brooch and hid it with her friend Holly.  Then Holly's husband got the brooch and blew up his wife.  When Catwoman came for the brooch and some revenge, Holly's husband, Arthur, threw Catwoman out the window of his penthouse apartment.  As this chapter begins, Catwoman saves herself from the fall and scales the side of the building, going back up to Arthur's room.  Two security guards come to the room after Arthur's mistress called for help.  The guards act shifty, pretty much demanding a bribe... and then Catwoman straight up murders the guards by pulling them over the ledge and dropping them off the side of the building.  She leaves the brooch there, so when the cops arrive to investigate the two dead men, they find the stolen property in Arthur's room.  Arthur is arrested, and Selina feels justified in avenging her dead friend.  But still.  She freaking murdered two security guards.  They weren't even a danger to her.  They were completely incidental, and while not the most noble of people, I don't think they deserved what they got.

Catwoman is a tricky character.  I will always categorize her as a villain, no matter how many times Batman screws her and then lets her go with a warning.  Catwoman is a criminal.  She doesn't break the law to make society better like a vigilante.  She breaks the law to make herself happy.  She's a villain.  That doesn't mean she's a psycho killer like Joker or Two-Face.  This last chapter felt really unsettling with her killing two people as a means to punish someone else.  Also, her story only got seven pages instead of the usual eight.

Next week, I'll look at Action Comics Weekly #615, which kicks off two brand new features starring Wild Dog and Blackhawk, as well as continuing the sagas of Black Canary, Superman, Green Lantern and Nightwing.