Action Plus: ACTION COMICS #436

In the early 1970s, Green Arrow joined the "Action Plus" feature of Action Comics.  Black Canary made numerous guest appearances in her boyfriend's strip, sometimes in her costumed identity, and sometimes as civilian florist, Dinah Lance.

Action Comics #436 is cover dated June 1974 and hit the shelves on March 28, according to Mike's Amazing World of DC Comics.  The lead Superman story is written by Elliot S. Maggin with art by Curt Swan and Vince Colletta and a cover by Nick Cardy.

The Green Arrow strip called "Young Man with a Drum" is written by Maggin with pencils by Dick Dillin and inks by Tex Blaisdell.  The story opens with Black Canary handing an unsolved mystery off to her boyfriend, Green Arrow.  Two panels on the first page are the only appearance Dinah makes in this story, but oh well...

Green Arrow changes into civilian clothes and, as Oliver Queen, checks out a band called Great Frog that's playing in the park.  Great Frog just arrived in Star City after touring the country, so maybe they're involved in the case.

Unexpectedly, Ollie recognizes his former kid sidekick Roy Harper playing drums for the band.  He hasn't seen Roy since the boy headed out on his own after the historic events of Green Lantern #85 and #86 where Ollie discovered Roy was addicted to heroin.  Now he figures Roy has infiltrated the band as part of an unknown undercover operation, y'know, rather than a teenager just living every kid's fantasy of touring with a rock and roll band.

Ollie then changes back into his Green Arrow duds and snoops around the band's dressing room.  He finds false-bottoms built into the band's instrument cases and stolen cameras and merchandise inside. He theorizes that someone is concealing the stolen goods inside the band's equipment so that Roy and the others are unwittingly transporting the contraband throughout the tour.

I'm not sure why he doesn't suspect the band themselves; I guess he just really trusts Roy, who, as we mentioned earlier, has a drug problem.  Green Arrow assumes Roy knows about the stolen goods and is about ready to close the case.  After the gig, Roy comes back into his dressing room and finds his old mentor there.

Damn, Roy, we all want to smack Green Arrow now and then, but dude!

Archie, the manager who walked in the room, is suitably impressed that Roy seemed able to take out a costumed vigilante with one punch.  He pulls Roy aside and confides in him the secret that the music tour is really a nationwide smuggling and fencing operation.  As they walk out of the room, Roy tosses a small object that lands next to Ollie, who opens his eyes, alert but not ready to give that intelligence away to Archie.

Later, a pair of goons come into the room to dispose of Green Arrow's body, but he springs up and effortlessly takes them out.

Meanwhile, upstairs, Archie takes Roy to see Mr. Aubrey, the man who books the band's cross-country tour and the man who runs the criminal operation.  He tells Roy he could have a bright future in fencing and drug trafficking, which is just want Roy wanted to hear.  At that moment, Green Arrow swings through the window and kicks Aubrey across his desk.  Ollie fires off two arrows that pin Archie to the wall and plug the barrel of his gun.

Aubrey confesses to the whole criminal enterprise and the police take him and his goons away.  Green Arrow chides Roy for the impractical use of the radio transceiver he threw down in the dressing room after pretending to know Arrow unconscious.  Roy tells him he would have had the case solved and the bad guys taken out whether Ollie showed up or not.  Ollie tells him not to be so headstrong and to ask for help once in a while.

Sorry to say, Roy, but I don't think Great Frog has a very bright future.  Also, you must not have been a very good drummer, because Darwyn Cooke pegged you for a bass player on his variant cover for Teen Titans #5 this December.  I mean, you do seem more like a strings guy, right?

We don't get much of Black Canary in this story, but it's still a pretty enjoyable tale, and Maggin makes nice use of continuity by extending the tension between Ollie and his ex-partner.  Green Arrow acts like he wants to it out, like he expects Roy to come back and everything will be the same, which was always Ollie's problem when it came to Roy.  When it came to any of his friends and family, actually.  For all his pretense about social activism and progress, Oliver Queen doesn't handle change to his personal life well at all.

Come back next Monday for another tale of Green Arrow and Black Canary in Action Comics...

Action Plus: ACTION COMICS #434

In the early 1970s, Green Arrow joined the "Action Plus" feature of Action Comics.  Black Canary made numerous guest appearances in her boyfriend's strip, sometimes in her costumed identity, and sometimes as civilian florist, Dinah Lance.

Action Comics #434 is cover dated April 1974 and hit the shelves on January 31, according to Mike's Amazing World of DC Comics.  The lead Superman story is written by Cary Bates with art by Curt Swan and Vince Colletta and a cover by Nick Cardy.

The Green Arrow strip entitled "Zatanna's Double-Identity" is written by Elliot S. Maggin with art by Dick Dillin and Frank McLaughlin.  The story opens with Green Arrow recounting the most recent frustration in his terribly burdensome life.

Dinah Lance is hella pissed that her Justice League teammate, Zatanna, is locking lips with Oliver Queen, Dinah's boyfriend.  But what pisses her off even more is how Zatanna acts like she is Ollie's lover and Dinah is a total stranger.  Dinah storms off letting Ollie sort out the situation.  Maggin makes a point of referencing Dinah's judo mastery; she leaves to maintain discipline over her mind and body.

Ollie assumes that Zatanna has been the victim of some kind of magic spell that screwed wit her memory and perceptions, but instead of concocting a practical way of solving that problem, he takes Zatanna with him to the public demonstration of a bank's new super security system.

There's some not-too-sublte jab at the anti-Communist witch hunts in Washington, D.C. before a pair of armed robbers bust in and try to rob the place.  Ollie changes into his Green Arrow costume and he and Zatanna spring into action.

Except, as Green Arrow notices, Zatanna isn't fighting the way she normally would.  She's fighting the way Black Canary does!

Zatanna slowly comes to her senses and remembers her own identity and powers.  She changes the robber from a wolf back into his human form.  That's lucky for him, because remaining in animal form for too long could be disastrous and permanent, as Zatanna explained to Black Canary in the Bloodspell graphic novel.

Back at Ollie's office, Zatanna reveals what happened to make her behave so strangely.

Ollie is relieved that Zatanna's attraction to him was all part of an accidental spell, or so he would think.  Zatanna doesn't want Ollie thinking it was entirely an accident and she pulls him in for another kiss before she leaves.

Green Arrow slumps into his chair to dwell on this latest revelation.  That's when Dinah--who had left to calm down, if you remember--comes back dressed as Black Canary and kicks Ollie's door down!

First, how awesome is Nick Cardy's cover to this issue!  Forget Kryptonite, Superman's real weakness is the threat of tooth decay!!!  As for this story, like oh-so many Silver and Bronze Age adventures, it was silly and somewhat nonsensical but so much damn fun.

Zatanna looks great in her classic stage magician costume, so much better than either of the costumes she would wear as a member of the Justice League of America in the late '70s and early '80s.  Dinah, too, looks sexy as always regardless of what outfit and hair she's sporting.  I'm not always a fan of Dick Dillin's work, but I have no real complaints about it in this story.

Even though Dinah is shunted off to the side for this story and only appears as Black Canary after the action is over, she does have an unexpectedly large role in this story.  It's flattering, as a fan of the character and her physical prowess, to see how highly Black Canary's martial arts skills are thought of by Zatanna and Green Arrow.  It's a nice validation of the character who hasn't had much to do in the Action Comics backups so far that Dinah is a master hand-to-hand combatant and that a real super-powered magic user would try to emulate that in battle.

The one lingering question I have, though: Why the hell did Zatanna turn one of the robbers into a wolf?  Wolves can still be freaking dangerous if scared or threatened; why not turn him into a rabbit or a guinea pig?

Come back next Monday for another tale of Green Arrow and Black Canary in Action Comics...

Action Plus: ACTION COMICS #426

In the early 1970s, Green Arrow joined the "Action Plus" feature of Action Comics.  Black Canary made numerous guest appearances in her boyfriend's strip, sometimes in her costumed identity, and sometimes as civilian florist, Dinah Lance.

Action Comics #426 is cover dated August 1973 and hit the shelves May 31, according to Mike's Amazing World of DC Comics.  The lead Superman story is written by Cary Bates with art by Curt Swan and Murphy Anderson and a cover by Nick Cardy.  The issue included two backup stories, one featuring the Human Target by Len Wein and Dick Giordano.

The Green Arrow strip entitled "The Wrong Side of the Tracks" is written by Elliot S. Maggin with pencils by Dick Dillin and inks by Giordano.

The story begins, after Green Arrow shouts at the reader, with Oliver Queen entering Dinah Lance's Pretty Bird Flower Shoppe...

Dinah leaves the store to Ollie, telling him she'll be back in time for dinner.  So, while technically minding the store, he kills time by designing a new trick arrow with some of her tools in the back room.  Then two delivery men arrive with some freaky sci-fi sculpture, but Ollie points out that they're on the wrong side of town.

"If you drop a bowl of spaghetti out a window, the way it lands will look like a street map of Star City," Ollie tells the delivery men before redirecting them to the correct address.  Hmm... I've heard similar descriptions for the layout of Boston.  Clearly, at the time this story was written, Star City was imagined as an eastern city, not the West Coast hub it will become later in DC's history.

After the delivery men drive off, Ollie realizes that their truck is from a building that went out of business the year before.  He changes into Green Arrow and swings across town with his rope arrows.  He sees the delivery guys bringing the sculpture to a man named Chatsworth Osborne, Jr. (seriously!) and uses a bug-arrow to listen in on the recipient, but his surveillance equipment detects the presence of another bug in the office that must have been planted on the sculpture.

Green Arrow intercepts the delivery men leaving the office and questions them.  They say the Osborne Foundation's vice president, Gregory Gates, hired them and gave them the truck and sculpture; that's all they know.  Green Arrow turns them loose and then meets with Chatsworth Osborne, Jr. revealing the spy equipment hidden on the sculpture.  Chatsworth Osborne, Jr. is angry, so angry!  Can you imagine how angry Chatsworth Osborne, Jr. must be?!

Green Arrow leaves the office of Chatsworth Osborne, Jr. and goes to see Gregory Gates, the vice president of the foundation run by Chatsworth Osborne, Jr.  Ollie overhears Gates admit to spying on Chatsworth Osborne, Jr. after the "twerp" inherited Osborne Foundation and demoted him.  Gates doesn't approve of how unselfishly Chatsworth Osborne, Jr. wants to spend the foundation's money.

That's all Green Arrow needs to hear to spring into action.

Green Arrow recalls how his own million-dollar company was taken away from him by conniving jerks like Chatsworth Osborne, Jr. like Gregory Gates.  He beats the crap out of Gates and his men, and then goes to help Chatsworth Osborne, Jr.  He tells the young man not to let this experience spoil his entrepreneurial spirit or idealism.

Then, inexplicably, he convinces Chatsworth Osborne, Jr. to show him his financial records and goes through all of his books to make sure his company is safe.  Ollie mentions attending four years at Hudson University.  Clearly, he is well educated in business, but why the hell would this C.E.O. trust him with this kind of information after knowing Green Arrow for about six minutes.

At the bottom of the page is an ad for Mike Kaluta's The Shadow which looks awesome!

Another fun little Green Arrow story.  Dinah is just Dinah once again, not the Black Canary.  She doesn't get to kick ass in her fishnets and blonde wig, but she does look terrific as ever.  It's kind of funny reading these stories where she is treated as the hero's girlfriend who happens to own a flower shop.  In a way, these stories feel like Black Canary's Golden Age stories told from the perspective of Larry Lance.  In those old tales in Flash Comics, he didn't know Dinah and Black Canary were the same woman, and Larry always fancied himself the hero in his own mind.

Come back next Monday for another tale of Green Arrow and Black Canary in Action Comics...

Pretty Bird: GREEN LANTERN #194 and DETECTIVE COMICS #555-558

Last week I covered the debut of Black Canary's then-new costume in Detective Comics #554.  For two straight issues, Dinah had taken point on the Green Arrow backup strip.  Now with a brand new look and a more focused identity, Black Canary seemed poised to launch into the upper strata of DC's heroes and heroines.

But then she disappeared from the backup stories in 'Tec for four months.  At the same time, DC was overhauling their entire continuity with the universe reshaping event Crisis on Infinite Earths.  I know Black Canary appeared in a handful of issues of Crisis, but for the life of me I can't remember what she did there.  I've only read Crisis one time and I didn't like it, and I don't feel inclined to wade into it again for the purposes of finding Black Canary in one panel of issue #6 or something.

However, I can painlessly recap her appearance in one of the Crisis tie-in issue of Green Lantern, wherein Dinah and Green Arrow witness the Harbinger take the new Green Lantern John Stewart off to his fateful rendezvous with the Monitor.

Green Lantern #194: "5" is written by Steve Englehart with art by Joe Staton.  The issue begins in Star City where Green Arrow and Black Canary are attempting to evacuate civilians as a building begins to crumble around them.

At the last second, John Stewart, the new Green Lantern of Space Sector 2814, flies by and creates an energy projection of a load bearing support to keep the debris off of Green Arrow and the civilian.  John and his fellow Green Lantern Corps member Katma Tui have just returned from space to find the Earth in the throws of violent environmental disaster.

Ollie tells the Green Lanterns that he doesn't know what's causing the freaky weather phenomena, and Dinah mentions the report that Firestorm mysteriously vanished earlier.  At that moment, the stunning and enigmatic Harbinger arrives.  Harbinger reveals that she is responsible for Firestorm's disappearance, and now she has come to claim Green Lantern as well.

John tells Harbinger he has no intention of going with her, and she warns him that if he doesn't his world is in jeopardy.  John throws an energy vice around Harbinger and tells her he doesn't like being threatened.  Him or his world.  Harbinger, though, effortlessly breaks free of his green construct.  Katma Tui uses her power to reinforce John's will, but neither of them appear strong enough to contain the strange woman.

With Black Canary and Green Arrow down, Katma takes a shot at Harbinger with her ring, but John stops her and ends the scuffle.  John says he scanned Harbinger and he believes she has only come to collect him for a purpose other than attack.  He trusts her and begs Katma Tui to trust him by letting him go alone despite his inexperience.

Just before Harbinger takes him away, she asks him to don the mask he wore originally because that's how the Monitor observed him (and that's how George Perez drew him, I think).

Elsewhere in the story, Hal Jordan is doing stuff that doesn't matter for our purposes.  John Stewart joins Firestorm, Superman of Earth-2, Blue Beetle, Cyborg, and the others aboard the Monitor's ship.  Katma Tui returns to Oa to report the events to the Guardians of the Universe.  After hearing her story, the distressed-sounding Guardians send her bath to Earth to await further orders.

Back on Earth, Katma is visibly shaken by the Guardians' apparent fear.  She tries to warn the Green Lantern of neighboring Sector 2813, but finds nothing there: no Green Lantern, no sector.

While John does Crisis-related stuff, Katma Tui goes to meet with former ring-slinger Hal Jordan.  Hal then finds Guy Gardner just as Guy is granted a Green Lantern ring by one of the Guardians.  Dinah and Ollie, meanwhile, stand together in the cold rain where their story will be picked up in issues of Crisis on Infinite Earths which I already said I'm not going to cover at this time.

For the few pages that Black Canary is in this issue, I like what Englehart and Staton give us.  The obvious point is her tactical judo move that takes Harbinger to the ground.  That the move ultimately proves ineffective is because of how immensely powerful Harbinger is, not because Dinah isn't a badass fighter.

We also get a beat where John Stewart refers to Katma as his girl, and Dinah mentally corrects him with the word "woman".  This seems like a very pro-feminist concern that Dinah wouldn't necessarily believe but that liberal Ollie would have pushed on her.  The Black Canary that we've seen up to this point in continuity hasn't been as vocal in politics or in Ollie's ideals, and she seems too grounded for this thought to even occur to her in the middle of a dire situation like the one they find themselves in. I'm glad she only thought it, because if she said it out loud at that moment when the world is going to hell, everyone would have turned to her and said, "Shut up."

But the other bit of characterization that I really like is when John Stewart calls Green Arrow and Black Canary his best friends in the superhero world.  I've recently read John's early years as a Green Lantern for the first time and I mostly enjoy the stories, but I really like John Stewart as a character.  Most of my exposure to him comes from Justice League and other DC Animated Universe projects, and to me he always seemed incredibly flat and boring in those cartoons.  These comics proved otherwise.

Ollie, Dinah, and Hal Jordan were the famous Hard Travelin' Heroes, but sans Hal I like that Black Canary maintains a connection to the Green Lantern mythos through John Stewart.  And within a few years, she'll have a team connection to the new Lantern Guy Gardner.

4th of July Bonus!!!

Before I return to Black Canary and Green Arrow's adventures in Detective Comics, what has the Archer been up to while his Pretty Bird was away?

Detective Comics #555 includes a solo Green Arrow strip called "The Case of the Runaway Shoebox" written by Elliot Maggin with art by Dicks Dillin and Giordano.  Oliver Queen gets pick pocketed and the ensuing adventure leads to the foiling of a much grander criminal operation.  Black Canary is never seen, but Ollie does refer to Dinah in the very last panel.

This story is pure filler, unconnected to anything from Green Arrow's story in the past couple of issues.  I don't know if "The Case of the Runaway Shoebox" was a reprint, but I'm quite sure it wasn't conceived for this issue as Dick Dillin sadly died five years before this comic hit the shelves.

Detective Comics #556 and #557, however, do pick up where writer Joey Cavalieri and artist Jerome Moore left off.  Not with Black Canary, but with the other woman who was trying to get Green Arrow's attention: Onyx.  The two-part story called "Zen and the Art of Dying" begins with Oliver Queen returning home after he and Dinah wrapped up the Bonfire case in #554.  Onyx, a young whip-weilding woman last seen in #552, waits for Ollie in his home.

When he confronts her, she tells him she was sent to bring him back to the monastery where he trained in martial arts.  Onyx tells the story of Lars, a cruel thuggish student of the Exalted Master who trained her and Oliver.  Lars has been trying to take control of the monastery and its library of powerful teachings.  Only the Master has kept Lars in check, but now the Master is poisoned and Lars is on the brink of taking that power for himself.  Ollie remembers Lars from his days in the monastery; he and Lars did not get along and the bully swore there would be a reckoning some day.

Green Arrow and Onyx arrive at the monastery only to find Lars has taken over and ambushes the two of them with dozens of his men.  Green Arrow draws his bow and manages to disarm most of Lars' followers and capture some with a net-arrow.  Onyx doesn't do so well as she is quickly captured by Lars and taken to the bell tower.

Lars tells Onyx that he wants to open the Exalted Master's ancient and powerful Book of Ages, but he needs something called the Wisdom Key.  The Master, it turns out, hid the key on Onyx's headband, but Lars finds it and sneaks away to the library.

Green Arrow rescues Onyx from the bell tower and they follow Lars to the library.  They're too late to stop him from opening the box with the sacred tome, but they needn't fear.  The book was cursed and when Lars tries to read it, it crumples to dusty vapor that kills him.  Eeek!

Detective Comics #558 features another disconnected Green Arrow backup tale called "Believe Everything I Hear" written by Dean Traven and drawn by Black Canary's series artist Trevor Von Eeden.  Green Arrow saves one of his criminal informants from murder, but misinterprets the wounded man's tip about an illegal shipment coming in that day.

This is another filler issue, though I have less idea of when or why it was originally produced.  It's still a fun story.  All of them are good stories; I really, really enjoyed the two-parter by Cavalieri and Moore.  Revisiting Green Arrow's formative years that don't involve being stranded on an island is a nice glimpse behind the scenes.  And Onyx was a great character that got a little bit of attention in Batman and Detective Comics, but could have been a much more mainstream hero or foil.

Black Canary eventually returned to the pages of Detective Comics with issue #559, where she and Green Arrow teamed-up with Batman and Catwoman in a story I've already reviewed--check it out!  After that, she co-starred with Ollie in the backup strips for the next eight issues.  Dinah brought her all-new costume to the criminal underworld and a direction of the character that was, ironically, closer in line with her very first appearance in Flash Comics #86.

Come back next Friday for the next chapter of Green Arrow and Black Canary in Detective Comics #560...

Pretty Bird: JUSTICE LEAGUE OF AMERICA #75

After Black Canary immigrated from her home dimension to the Earth of the Justice League of America, writer Dennis O'Neill wasted no time partnering the Blonde Bombshell with the Emerald Archer.  Dinah's first adventure as a member of the League co-starred Green Arrow, and within a couple of months, she would start appearing in the pages of Green Lantern/Green Arrow, also written by O'Neill.

Justice League of America #75: "In Each Man There is a Demon!" is written by Dennis O'Neill with pencils by Dick Dillin and inks by Joe Giella.

The story begins with Green Arrow narrating this month's tale, and what jumps out right away is Green Arrow's new look.  Neal Adams had already redesigned Oliver Queen's duds in The Brave and the Bold a couple months earlier, but this is the first time he appears with the Robin Good costume and Van Dyke beard in the pages of Justice League of America.

Oliver Queen is having some troubles in the beginning of the story as a business rival creates fraudulent documents that all-but ruin Ollie's reputation and his company.  He goes for a walk through the streets of Star City to reflect on the fortune he's about to lose... when suddenly, he hears a cry for help.  Quickly donning his Green Arrow clothes, he fires off an "instant sunburn arrow" that blinds and burns two would be muggers.  The almost-victim thanks Green Arrow, calling him the most useful man in Star City.

But Ollie isn't sure about that.  Should the costumed crime fighter be "more useful" than the millionaire businessman?  Ollie's having a bit of an identity crisis now.

Hawkman argues that Black Canary is quite simply underpowered to go up against the threats faced by the Justice League.  Black Canary then begins thinking about the world she left, the world of the Justice Society of America and Earth 2... the world of her recently late husband, Larry Lance.

Green Arrow then describes how he sought help for his identity crisis by finding a Dr. Oyal who developed a kind of machine that could identify the true nature of a person.  When Ollie undergoes the procedure, however, something bizarre and unexpected happens.  A phantom of Green Arrow, a kind of glowing green shade leaves his body like a ghost and attacks Dr. Oyal.  It claims to be the warrior spirit from within Oliver Queen.

Meanwhile, Superman and the Atom run tests on Dinah Lance where they make a shocking retcon discovery about her physiology.

Batman speculates that Black Canary's new sonic powers may be the result of some residual radiation from their battle with Aquarius last issue.  She was close enough to the energy ball that killed Larry that her cells may have been irradiated enough not to harm her but to create a meta-human power that right now she has no control over.

At that point, the shade of Green Arrow busts in on their meeting.  The League tries to capture it, but when they touch the thing, it draws out the aggressive inner nature of all of them.

Well, not all of them.  Superman, it appears, has no dark half.  After the shades trash the League's headquarters and take off to cause more mischief, Superman has to conceive a plot to get the team's confidence and fighting spirit back.

Superman goes to battle against his mysterious shadow self and after a fierce combat, Superman wins, proving to his friends and teammates that they can in fact do battle with themselves...and win.

When they leave, Superman reveals to us that the phantom he fought was just one of his robots painted green.

Each of the League members goes off to face their evil self individually, and each wins.  First Hawkman defeats his phantom, then Batman his, then the Atom his.  Then Black Canary...

She leaps off the bike and tackles her shade, putting the dark Canary down with a sleeper hold.

Then it's Green Arrow's turn to fight his shade, but when the time comes, he chickens out.  His identity crisis has become a full-blown crisis of confidence.  However, as he's walking away, he comes across a kindly old couple that give him a nice pep talk.  So he goes out looking for his shade again, and when he finds him, they draw down.

Ollie is wounded, but when his arrow strikes the shade, all five of the phantom Leaguers are sucked back inside the heroes, ending the problem.

For Black Canary's first story as a Justice Leaguer, this issue does a lot to establish her as a visible and credible addition to the team.  First there is the creation of a new power set: her sonic scream, although at this point she has no control over the power and it doesn't really emanate from her mouth.  It will take some time for Dinah to master this power and direct it as her "Canary Cry".

For now, the power seems almost a burden as much as a gift.  O'Neill is merely seeding this super power in Black Canary in case she'll need it in later adventures when her Judo isn't enough.  But in this story, it is.  She uses her martial arts ability to fight her personal demon and succeeds, a great testimony to her abilities and her value to the Justice League.

Black Canary also gets her own mode of transportation.  The motorcycle may not be as audacious as the Batmobile, but it's as lithe and stylish as herself, and in time it will be her signature vehicle.  And what's more, the motorcycle was custom made for her by Superman.  How cool is that?!!

The third statement made about Black Canary in this issue is her unquestioned connection to Green Arrow.  There's nothing specifically romantic or overly flirtatious about their dialogue in this issue, but Dillin sure draws them to look familiar and comfortable with each other.  It won't be long before he has taken the place of her husband (that he sorta kinda killed).

Oh, the other cool thing about this story--Superman doesn't have an evil counterpart!  There is no bastard version of Superman.  He's that good!  Remember when Superman was good?

Out of Context #18: "World's Finest Sandwich"

From Justice League of America (vol. 1) #148, art by Dick Dillin.

Every Thursday, Flowers & Fishnets provide a panel that--when taken out of context from the rest of the page--may be funny, suggestive, or just dumb.