Pretty Bird: DETECTIVE COMICS #550

Every Friday, I review a comic or backup feature showcasing Black Canary and her longtime love interest, Green Arrow.  Last week, I looked at the first of a two-part story that began in Detective Comics #549 and concludes here in #550.

The seven-page backup story, "Night Olympics Part 2" is written by Alan Moore with art by Klaus Janson.  Once again, I present it uncut for my readers, because Alan Moore and Klaus Janson!

In this part, as with with the last, Moore uses allusions to Olympic games and competitions and, in particular, the pageantry associated with them in his depiction of super heroic exploits.  The average adventure of a costumed crime fighter is a game, according to Moore's script here.  And the game gets deadly when one participant--the criminal--breaks the rules.

Pete Lomax, the archer who doesn't wear a costume or use a name like Arrowman, targets the heroes specifically and hurts Dinah before Ollie can act.  Pete doesn't announce himself like one of Batman or the Flash's rogues until after he's drawn blood.  But when confronted with the actual reality of just how good a hero like Green Arrow is, Pete has no escape except to faint.

I really enjoyed this story.  I like how even though Black Canary gets taken down pretty easily, she still wants to pull the arrow out and help Ollie fight.  I like how Ollie doesn't give in to fear and rage; he never loses control or suggests that he'll kill Pete Lomax.  He uses his "powers" to terrify Pete with his real talent.  I also got a kick out of the return of Joey, the hard luck crook who freaks out at the sight of superheroes just as he's about to be released from the hospital.

"Night Olympics" is a great short story.  To my knowledge, this two-parter has never been collected, which is surprising given the popularity and profitability of Alan Moore's name.  If you can't find a copy in the store, this issue of 'Tec is available on ComiXology for $1.99 U.S.  It also includes a Batman story by Doug Moench and Pat Broderick about Batman trying to help a victim of child abuse who has grown into an abusive criminal lowlife with nowhere to go but down.

Come back next Friday for more of Green Arrow and Black Canary!

Pretty Bird: DETECTIVE COMICS #549

Welcome to the first post in my new weekly segment devoted to Green Arrow and Black Canary team-ups.  Every Friday, I'll review a comic or backup feature showcasing Dinah and her longtime love interest, Oliver Queen.

To kickoff Pretty Bird Fridays, I selected a short story that first appeared in Detective Comics #549, cover dated April 1985.  It's not Ollie and Dinah's first meeting and it's not an historically momentous chapter from Green Lantern/Green Arrow or The Longbow Hunters.  But it was written by arguably the most profound writer in comics and the man who revolutionized the medium at least once.

The seven-page backup story, "Night Olympics" is written by Alan Moore with art by Klaus Janson.    I present it here uncut for my readers, because it's Alan Moore and Klaus Janson!

Naturally there's some fascinating commentary on the nature of superheroes because duh, Alan Moore.  Even in seven pages, the question of superhero's celebrity status is brought up multiple times no less than three times.  But are the heroes celebrities... or urban legends?

Joey, the first criminal we meet, has had so many ill-fated run-ins with superheroes that he has developed a kind of post-traumatic seizure disorder.  After being thwarted by Firestorm and Metamorpho, the mere sight of Green Arrow standing in Joey's way reduces him to a screaming, thrashing wreck.  Ollie exerts more energy keeping the guy from breaking his skull on the pavement than he would shooting an arrow into his hand.  (Also, what's with the cops dissing Metamorpho? Is that just flavorful dialogue, or is Moore taking a swipe at ol' Rex Mason?)

Then there are the two looters who surrender to Black Canary.  Their fear of costumed crime fighters is fueled by hearsay and local lore, by tales of Batgirl allegedly beating up a friend and the ridicule it brought them from the rest of their gang.  They're so unnerved by the idea of a superhero smacking them around that they don't even know who it is they're turning themselves in to.

Lastly we have our rogue archer, Mr. Mohawk, and his weapon-smith.  The old man thinks if Mohawk is going to get in the villain game, he needs a codename, an identity like "Arrow Man".  The garish names and costumes are part of job--literally, he figures.  But this archer seems to shirk that idea, dismissing the grandiosity of the superhero/supervillain motif in favor of deadly simplicity.  And that is what makes him most dangerous in this story.  He kills one man and it looks like he's going to kill Ollie or Dinah by the end of this chapter, and the reason is because he doesn't announce himself with puzzle games and flamboyant attire.

Is that what Alan Moore is saying with the story, that old school heroes and villains are as commonplace and predictable as people on TV?  Is that why he layers the narration with allusions to spectator sporting events, because the superhero life has become a "game" replete with rules and  contestants?  Then surely this Mohawk sporting archer is breaking the rules and upsetting the balance of the heroes' lives.

There's nothing I can say about Klaus Janson's work that hasn't been said a thousand times before by people who really know his stuff.  His Black Canary looks good as always, and this is about six months before he would redesign her costume that would become her Justice League International look.  Even without a true costume, Janson gives our villain a distinctive look with his mohawk and shirt so that the character is well defined visually even if he's not wearing Captain Cold's parka.

This is a great short story.  If you want it for yourself, the digital version is $1.99 on ComiXology.  The lead story starring Batman and Harvey Bullock by Doug Moench and Pat Broderick is pretty crazy, suggesting the Bullock's gruff, bull-in-a-China-shop behavior is a mask hiding the soul of an effete, vaguely British poet.

It ends with Bullock and Batman fighting, like, twenty members of a street gang.  Like I said, crazy.  Come back next Friday for the conclusion to this story of Green Arrow and Black Canary!