Showing posts with label Action Comics. Show all posts
Showing posts with label Action Comics. Show all posts

Saturday, April 25, 2015

Episode 9: Going to the Dogs

Reviewing backup strips from Action Comics #440 and #441 featuring Green Arrow, Black Canary, and a mysterious "super dog".  Also, listener feedback from Episode 8.

Flowers & Fishnets is available for download on iTunes by clicking here, or you can check out the show's RSS feed by clicking here.

You can read along with this story and see all covers and pages by checking out my reviews of Action Comics #440 by clicking here and #441 by clicking here.

Sample pages from Action Comics #440-441.




Music this episode:
"Hang Down Your Head"
Tom Waits
Island Records, 1985.


CLICK HERE TO PLAY EPISODE IN ANOTHER WINDOW.

Monday, September 29, 2014

Action Plus: ACTION COMICS #444

In the early 1970s, Green Arrow joined the "Action Plus" feature of Action Comics.  Black Canary made numerous guest appearances in her boyfriend's strip, sometimes in her costumed identity, and sometimes as civilian florist, Dinah Lance.


Action Comics #444 is cover dated February 1975 and hit the shelves on November 28, 1974, according to Mike's Amazing World of DC Comics.  The lead Superman story is written by Cary Bates with art by Curt Swan and Tex Blaisdell and a cover by Nick Cardy.

The ominous-sounding Green Arrow strip called "The Black Canary is Dead" is scripted by Elliot S. Maggin based on a story by Mike Grell who also provided the art.  The story begins with Green Arrow arriving at Star City Police Headquarters where the cops play a recorded message for him.


One of the detectives agrees with Green Arrow that the tape's assertion that Black Canary is dead must be a lie, because it was sent to the cops with evidence--a lock of blonde hair.  But the cops have identified the blonde hair as coming from a wig, which they think proves the Canary must be alive.  Only Ollie knows the truth, that Black Canary is naturally dark-haired and wears a wig in her crime fighting guise.

Green Arrow storms out of the police station and thinks back to a moment in the recent past when he was approached by an elderly Italian immigrant named Mr. Genetta who begged the Emerald Archer to save his grandson Tommy from losing his life to drugs like so many other teenagers these days.  But when Green Arrow visits Tommy, the boy tells him to get lost and boasts about the head of the drug trafficking syndicate, Max Looker, is so successful.

Ollie leaves Tommy, reflecting on his awful track record for not dealing with junkies in a mature, patient manner and thinks back to his ex-sidekick Roy Harper.  His attention is diverted, though, when he sees a well-dressed man getting out of a fancy car in the poorest, most dangerous part of town.  He follows the man down the street to a vacant lot.


Surrounded by street toughs, Green Arrow cuts loose, taking out half a dozen punks in the alley.  In the process, though, he loses track of the man in the suit.

Green Arrow goes to the police and describes the well-dressed man to the police sketch artist.  One of the cops identifies the mystery man as Peter Lazenby, one of the "Four Horsemen" known to control all drug trafficking across the globe.  The cop says they have identified three of the four drug kingpins, and believe the fourth one is Max Lucker, the man name-dropped by Tommy the Junkie.  The cops tell Green Arrow they don't have anything concrete on Lucker, but he runs a casino outside of Star City.

Ollie needs help roping in Lazenby and Lucker, so he goes home and recruits his lover, Dinah Lance.


Green Arrow busts into Max Lucker's office and demands to know if he's responsible for flooding the streets with drugs.  Lucker calls security into his office and Green Arrow disarms them easily.  He fires a couple arrows that pin Lucker to his chair, and as Ollie leaves, Lucker vows vengeance.


Is Black Canary really dead?  You'll have to come back next week to find out... but (spoilers) she totally isn't.

I'm loving Mike Grell's art on these backup strips lately.  It's definitely more of a DC house blend then his later stuff with these characters, so the transition from Dicks Dillin and Giordano isn't so jarring, but he throws in some personal flourishes with the action and the facial expressions.  And his Dinah, even in one panel, looks as sexy as ever.

Come back next Monday for another tale of Green Arrow and Black Canary in Action Comics...

Tuesday, September 23, 2014

Action Plus: ACTION COMICS #441

In the early 1970s, Green Arrow joined the "Action Plus" feature of Action Comics.  Black Canary made numerous guest appearances in her boyfriend's strip, sometimes in her costumed identity, and sometimes as civilian florist, Dinah Lance.


Action Comics #441 is cover dated November 1974 and hit the shelves on August 29, according to Mike's Amazing World of DC Comics.  The lead Superman story is written by Cary Bates with art by Curt Swan and a cover by Nick Cardy.

The Green Arrow strip called "The Mystery of the Wandering Dog" is written by Elliot S. Maggin with art by Mike Grell.  Like the first chapter in this story that I posted yesterday, I'm such a big fan of this story I'm just going to post the pages below and offer my commentary afterward.







Were you able to solve the mystery before Ollie and Dinah?  The mystery dog was Krypto all along!

I shared my love of dogs and Mike Grell's art in yesterday's post.  Both are just as applicable to this part of the story.  As far as that story goes, it's a little on the thin side considering that two out of the six pages are devoted to recapping what happened in the previous chapter.  It's a little silly that Green Arrow has to free Professor Steelgraves from police custody in order to find out where all his mad-sciency equipment was being stored.  The police ought to be able to get that information themselves.

Regardless, there are two highlights in this story for me.  First, Dinah actually suits up as Black Canary for the first time in a while in these backup strips.  What's more, she looks damn good drawn by Grell until she's made to look old and ugly when Steelgraves uses the aging ray on her and Ollie.  The other standout part of the story is that Krypto saves the day.  I know how destructive dogs can be, so I got a kick out of him ripping the lock off of Dinah's flower shop door, and then smashing into Steelgraves' crazy contraption.

It was cool to see Clark Kent make a cameo in the final panel.  I haven't read the story where Krypto's amnesia is explained or resolved, but I know it all works out.

Come back next Monday for another tale of Green Arrow and Black Canary in Action Comics...

Monday, September 22, 2014

Action Plus: ACTION COMICS #440

In the early 1970s, Green Arrow joined the "Action Plus" feature of Action Comics.  Black Canary made numerous guest appearances in her boyfriend's strip, sometimes in her costumed identity, and sometimes as civilian florist, Dinah Lance.


Action Comics #440 is cover dated October 1974 and hit the shelves on July 30, according to Mike's Amazing World of DC Comics.  The lead Superman story is written by Elliot S. Maggin with art by Curt Swan and a cover by Nick Cardy.

The Green Arrow strip called "Little Dog Lost" is written by Maggin with art by Mike Grell.  I love this story so much that I'm not going to summarize it.  I'm going to post the six pages below and offer my commentary afterward.







I believe this issue marks the first time Mike Grell drew Green Arrow and Black Canary.  He would continue to chronicle their adventures in Action Comics and World's Finest before taking them to unparalleled places (both heights and depths) with The Longbow Hunters and beyond.  At this early point in his career, Grell's work looked pretty similar to the DC House Style that Giordano and Dillin used on earlier Green Arrow and Black Canary stories.  But you can definitely see where Grell provides a flourish with facial expressions and body language in some of the close-ups.

As for the story, it grabbed my heartstrings immediately.  I'm a dog lover.  I have two dogs and I love them more than some of my family members.  I'm Facebook friends with people who run animal rescue shelters, so my wall is filled with heartbreaking videos of dogs being rescued and reunited with returning veterans.  All that is to say when I opened this comic for the first time, I fell in love with Grell's rendering of the mystery dog's curiosity-filled eyes.

The action in this story is terrific.  Maggin does a great job of creating three villains with distinct personalities in such a short amount of time; Professor Steelgraves--why hasn't this guy come back to haunt Star City more often?  Large Maxie--who doesn't love a hired goon who talks in the third person?

As with so many Green Arrow backups in Action Comics, Dinah Lance only appears in her civilian identity, not as Black Canary.  And the most action she gets is hallucinating and judo chopping a dog. That I didn't care for, but the storytellers make it clear she didn't hurt the dog seriously (as if she could), so I kind of let it slide.  I'm not wild about her naming the dog Demian.  Such a weird, unlikely dog name except for a vicious snarling guard dog, perhaps.

Of course, this story is only the first chapter of a two-parter.  Where did this mystery dog come from?  What could explain its unusual abilities?  What will Ollie and Dinah do with the mad science device retrieved from Steelgraves' boat?  These answers and more will be revealed tomorrow when I review Action Comics #441.  See you then!

Monday, September 15, 2014

Action Plus: ACTION COMICS #436

In the early 1970s, Green Arrow joined the "Action Plus" feature of Action Comics.  Black Canary made numerous guest appearances in her boyfriend's strip, sometimes in her costumed identity, and sometimes as civilian florist, Dinah Lance.


Action Comics #436 is cover dated June 1974 and hit the shelves on March 28, according to Mike's Amazing World of DC Comics.  The lead Superman story is written by Elliot S. Maggin with art by Curt Swan and Vince Colletta and a cover by Nick Cardy.

The Green Arrow strip called "Young Man with a Drum" is written by Maggin with pencils by Dick Dillin and inks by Tex Blaisdell.  The story opens with Black Canary handing an unsolved mystery off to her boyfriend, Green Arrow.  Two panels on the first page are the only appearance Dinah makes in this story, but oh well...


Green Arrow changes into civilian clothes and, as Oliver Queen, checks out a band called Great Frog that's playing in the park.  Great Frog just arrived in Star City after touring the country, so maybe they're involved in the case.

Unexpectedly, Ollie recognizes his former kid sidekick Roy Harper playing drums for the band.  He hasn't seen Roy since the boy headed out on his own after the historic events of Green Lantern #85 and #86 where Ollie discovered Roy was addicted to heroin.  Now he figures Roy has infiltrated the band as part of an unknown undercover operation, y'know, rather than a teenager just living every kid's fantasy of touring with a rock and roll band.

Ollie then changes back into his Green Arrow duds and snoops around the band's dressing room.  He finds false-bottoms built into the band's instrument cases and stolen cameras and merchandise inside. He theorizes that someone is concealing the stolen goods inside the band's equipment so that Roy and the others are unwittingly transporting the contraband throughout the tour.

I'm not sure why he doesn't suspect the band themselves; I guess he just really trusts Roy, who, as we mentioned earlier, has a drug problem.  Green Arrow assumes Roy knows about the stolen goods and is about ready to close the case.  After the gig, Roy comes back into his dressing room and finds his old mentor there.


Damn, Roy, we all want to smack Green Arrow now and then, but dude!

Archie, the manager who walked in the room, is suitably impressed that Roy seemed able to take out a costumed vigilante with one punch.  He pulls Roy aside and confides in him the secret that the music tour is really a nationwide smuggling and fencing operation.  As they walk out of the room, Roy tosses a small object that lands next to Ollie, who opens his eyes, alert but not ready to give that intelligence away to Archie.

Later, a pair of goons come into the room to dispose of Green Arrow's body, but he springs up and effortlessly takes them out.

Meanwhile, upstairs, Archie takes Roy to see Mr. Aubrey, the man who books the band's cross-country tour and the man who runs the criminal operation.  He tells Roy he could have a bright future in fencing and drug trafficking, which is just want Roy wanted to hear.  At that moment, Green Arrow swings through the window and kicks Aubrey across his desk.  Ollie fires off two arrows that pin Archie to the wall and plug the barrel of his gun.


Aubrey confesses to the whole criminal enterprise and the police take him and his goons away.  Green Arrow chides Roy for the impractical use of the radio transceiver he threw down in the dressing room after pretending to know Arrow unconscious.  Roy tells him he would have had the case solved and the bad guys taken out whether Ollie showed up or not.  Ollie tells him not to be so headstrong and to ask for help once in a while.


Sorry to say, Roy, but I don't think Great Frog has a very bright future.  Also, you must not have been a very good drummer, because Darwyn Cooke pegged you for a bass player on his variant cover for Teen Titans #5 this December.  I mean, you do seem more like a strings guy, right?


We don't get much of Black Canary in this story, but it's still a pretty enjoyable tale, and Maggin makes nice use of continuity by extending the tension between Ollie and his ex-partner.  Green Arrow acts like he wants to it out, like he expects Roy to come back and everything will be the same, which was always Ollie's problem when it came to Roy.  When it came to any of his friends and family, actually.  For all his pretense about social activism and progress, Oliver Queen doesn't handle change to his personal life well at all.

Come back next Monday for another tale of Green Arrow and Black Canary in Action Comics...

Monday, September 8, 2014

Action Plus: ACTION COMICS #434

In the early 1970s, Green Arrow joined the "Action Plus" feature of Action Comics.  Black Canary made numerous guest appearances in her boyfriend's strip, sometimes in her costumed identity, and sometimes as civilian florist, Dinah Lance.


Action Comics #434 is cover dated April 1974 and hit the shelves on January 31, according to Mike's Amazing World of DC Comics.  The lead Superman story is written by Cary Bates with art by Curt Swan and Vince Colletta and a cover by Nick Cardy.

The Green Arrow strip entitled "Zatanna's Double-Identity" is written by Elliot S. Maggin with art by Dick Dillin and Frank McLaughlin.  The story opens with Green Arrow recounting the most recent frustration in his terribly burdensome life.


Dinah Lance is hella pissed that her Justice League teammate, Zatanna, is locking lips with Oliver Queen, Dinah's boyfriend.  But what pisses her off even more is how Zatanna acts like she is Ollie's lover and Dinah is a total stranger.  Dinah storms off letting Ollie sort out the situation.  Maggin makes a point of referencing Dinah's judo mastery; she leaves to maintain discipline over her mind and body.

Ollie assumes that Zatanna has been the victim of some kind of magic spell that screwed wit her memory and perceptions, but instead of concocting a practical way of solving that problem, he takes Zatanna with him to the public demonstration of a bank's new super security system.

There's some not-too-sublte jab at the anti-Communist witch hunts in Washington, D.C. before a pair of armed robbers bust in and try to rob the place.  Ollie changes into his Green Arrow costume and he and Zatanna spring into action.

Except, as Green Arrow notices, Zatanna isn't fighting the way she normally would.  She's fighting the way Black Canary does!


Zatanna slowly comes to her senses and remembers her own identity and powers.  She changes the robber from a wolf back into his human form.  That's lucky for him, because remaining in animal form for too long could be disastrous and permanent, as Zatanna explained to Black Canary in the Bloodspell graphic novel.

Back at Ollie's office, Zatanna reveals what happened to make her behave so strangely.


Ollie is relieved that Zatanna's attraction to him was all part of an accidental spell, or so he would think.  Zatanna doesn't want Ollie thinking it was entirely an accident and she pulls him in for another kiss before she leaves.

Green Arrow slumps into his chair to dwell on this latest revelation.  That's when Dinah--who had left to calm down, if you remember--comes back dressed as Black Canary and kicks Ollie's door down!


First, how awesome is Nick Cardy's cover to this issue!  Forget Kryptonite, Superman's real weakness is the threat of tooth decay!!!  As for this story, like oh-so many Silver and Bronze Age adventures, it was silly and somewhat nonsensical but so much damn fun.

Zatanna looks great in her classic stage magician costume, so much better than either of the costumes she would wear as a member of the Justice League of America in the late '70s and early '80s.  Dinah, too, looks sexy as always regardless of what outfit and hair she's sporting.  I'm not always a fan of Dick Dillin's work, but I have no real complaints about it in this story.

Even though Dinah is shunted off to the side for this story and only appears as Black Canary after the action is over, she does have an unexpectedly large role in this story.  It's flattering, as a fan of the character and her physical prowess, to see how highly Black Canary's martial arts skills are thought of by Zatanna and Green Arrow.  It's a nice validation of the character who hasn't had much to do in the Action Comics backups so far that Dinah is a master hand-to-hand combatant and that a real super-powered magic user would try to emulate that in battle.

The one lingering question I have, though: Why the hell did Zatanna turn one of the robbers into a wolf?  Wolves can still be freaking dangerous if scared or threatened; why not turn him into a rabbit or a guinea pig?

Come back next Monday for another tale of Green Arrow and Black Canary in Action Comics...

Monday, September 1, 2014

Action Plus: ACTION COMICS #428

In the early 1970s, Green Arrow joined the "Action Plus" feature of Action Comics.  Black Canary made numerous guest appearances in her boyfriend's strip, sometimes in her costumed identity, and sometimes as civilian florist, Dinah Lance.


Action Comics #428 is cover dated October 1973 and hit the shelves July 31, according to Mike's Amazing World of DC Comics.  The lead Superman story is written by Cary Bates with art by Curt Swan and Murphy Anderson and a cover by Nick Cardy.

The Green Arrow strip entitled "The Plot to Kill Black Canary" is written by Elliot S. Maggin with art by Dick Giordano.  The story opens with Oliver Queen making a deal to have Black Canary publicly endorse a motorcycle company.


Dinah Lance is less than thrilled that Ollie volunteered her for such an appearance without her approval, but she agrees to go along with it when he says it's for charity.

In a seedier part of Star City, two smalltime crooks, Pete Larkin and Albert the Artist, read about Black Canary's upcoming motorcycle demonstration in the newspaper.  Since the Canary had previously foiled one of their counterfeiting schemes, Pete and Al decide to take their revenge at the bike show.

The day of said bike show, Green Arrow visits a pool hall and rounds up a pair of gold smugglers with some nice sharpshooting archery action and good old fashion punching.  After rousting the hoods, Green Arrow is met by his criminal informant outside.


Louie the C.I. tells Green Arrow that Pete and Al are planning to kill Black Canary with a bomb planted in her motorcycle during the bike show.

Green Arrow races to the show where his Pretty Bird has started driving around on her motorcycle.  Arrow finds Al the Artist disguised as someone in Canary's pit crew and takes him down, but the bomb is live.


Green Arrow fires an arrow and swings away so the bike explodes when it crashes harmlessly away from he and Canary and any spectators.  He lets the police capture Pete and Al, while Ollie and Dinah have a private debriefing later on.


Come back next Monday for another tale of Green Arrow and Black Canary in Action Comics...

Monday, August 25, 2014

Action Plus: ACTION COMICS #426

In the early 1970s, Green Arrow joined the "Action Plus" feature of Action Comics.  Black Canary made numerous guest appearances in her boyfriend's strip, sometimes in her costumed identity, and sometimes as civilian florist, Dinah Lance.


Action Comics #426 is cover dated August 1973 and hit the shelves May 31, according to Mike's Amazing World of DC Comics.  The lead Superman story is written by Cary Bates with art by Curt Swan and Murphy Anderson and a cover by Nick Cardy.  The issue included two backup stories, one featuring the Human Target by Len Wein and Dick Giordano.

The Green Arrow strip entitled "The Wrong Side of the Tracks" is written by Elliot S. Maggin with pencils by Dick Dillin and inks by Giordano.

The story begins, after Green Arrow shouts at the reader, with Oliver Queen entering Dinah Lance's Pretty Bird Flower Shoppe...


Dinah leaves the store to Ollie, telling him she'll be back in time for dinner.  So, while technically minding the store, he kills time by designing a new trick arrow with some of her tools in the back room.  Then two delivery men arrive with some freaky sci-fi sculpture, but Ollie points out that they're on the wrong side of town.

"If you drop a bowl of spaghetti out a window, the way it lands will look like a street map of Star City," Ollie tells the delivery men before redirecting them to the correct address.  Hmm... I've heard similar descriptions for the layout of Boston.  Clearly, at the time this story was written, Star City was imagined as an eastern city, not the West Coast hub it will become later in DC's history.

After the delivery men drive off, Ollie realizes that their truck is from a building that went out of business the year before.  He changes into Green Arrow and swings across town with his rope arrows.  He sees the delivery guys bringing the sculpture to a man named Chatsworth Osborne, Jr. (seriously!) and uses a bug-arrow to listen in on the recipient, but his surveillance equipment detects the presence of another bug in the office that must have been planted on the sculpture.

Green Arrow intercepts the delivery men leaving the office and questions them.  They say the Osborne Foundation's vice president, Gregory Gates, hired them and gave them the truck and sculpture; that's all they know.  Green Arrow turns them loose and then meets with Chatsworth Osborne, Jr. revealing the spy equipment hidden on the sculpture.  Chatsworth Osborne, Jr. is angry, so angry!  Can you imagine how angry Chatsworth Osborne, Jr. must be?!

Green Arrow leaves the office of Chatsworth Osborne, Jr. and goes to see Gregory Gates, the vice president of the foundation run by Chatsworth Osborne, Jr.  Ollie overhears Gates admit to spying on Chatsworth Osborne, Jr. after the "twerp" inherited Osborne Foundation and demoted him.  Gates doesn't approve of how unselfishly Chatsworth Osborne, Jr. wants to spend the foundation's money.

That's all Green Arrow needs to hear to spring into action.


Green Arrow recalls how his own million-dollar company was taken away from him by conniving jerks like Chatsworth Osborne, Jr. like Gregory Gates.  He beats the crap out of Gates and his men, and then goes to help Chatsworth Osborne, Jr.  He tells the young man not to let this experience spoil his entrepreneurial spirit or idealism.

Then, inexplicably, he convinces Chatsworth Osborne, Jr. to show him his financial records and goes through all of his books to make sure his company is safe.  Ollie mentions attending four years at Hudson University.  Clearly, he is well educated in business, but why the hell would this C.E.O. trust him with this kind of information after knowing Green Arrow for about six minutes.


At the bottom of the page is an ad for Mike Kaluta's The Shadow which looks awesome!

Another fun little Green Arrow story.  Dinah is just Dinah once again, not the Black Canary.  She doesn't get to kick ass in her fishnets and blonde wig, but she does look terrific as ever.  It's kind of funny reading these stories where she is treated as the hero's girlfriend who happens to own a flower shop.  In a way, these stories feel like Black Canary's Golden Age stories told from the perspective of Larry Lance.  In those old tales in Flash Comics, he didn't know Dinah and Black Canary were the same woman, and Larry always fancied himself the hero in his own mind.

Come back next Monday for another tale of Green Arrow and Black Canary in Action Comics...

Monday, August 18, 2014

Action Plus: ACTION COMICS #421

In the early 1970s, Black Canary appeared regularly in the pages of Justice League of America and pretty regularly in Green Lantern.  When the adventures of the Hard Travelin' Heroes got cancelled, Black Canary popped up in a few other places, like issues of Adventure Comics and The Brave and the Bold.

After Green Lantern ended, Green Arrow joined the "Action Plus" feature of Action Comics, which alternated backup stories starring the Emerald Archer, the Atom, and Human Target.  Black Canary made numerous guest appearances in her boyfriend's strip, sometimes in her costumed identity, and sometimes as civilian florist, Dinah Lance.


Action Comics #421 is cover dated February 1973 but came out December 28, 1972, according to Mike's Amazing World of DC Comics.  The lead Superman story is written by Cary Bates with art by Curt Swan and Murphy Anderson and a cover by Nick Cardy.

The Green Arrow strip entitled "The Headline Maker" is written by Elliot S. Maggin with pencils by Sal Amendola and inks by Dick Giordano.


Swinging onto the burning theater, Green Arrow kicks open the door to the upper balcony to free the patrons trapped inside.  They're still stuck on the upper floor, however, so Ollie fires off some trick arrows that create a safety net on the street below.  He sets an example for the less than enthusiastic civilians by leaping out the window and landing safely on the net below.

After ensuring the theater-goers are safe, Green Arrow makes his exit, dodging the show's press agent.  He ducks away and changes into his private citizen garb as Oliver Queen.  Then he heads out to meet Dinah the day before she opens her store called Pretty Bird Flower Shoppe.


Ollie takes off to find someone to advertise her story, leaving Dinah behind to clean up the mess he made by knocking over the potted plant.  Dinah watches Ollie leave, wondering why she loves him, or if she does, since she can't bring herself to form the L-word.

On his way across town, Ollie recognizes a mob hit-man named Lucas Branson.  Ollie follows Branson down into the subway and spies on the assassin.  Branson uncovers a tape in a phone booth, plays the recording, and hears the details of his next target.  As Branson goes back upstairs to the street, though, Ollie uses a siren-arrow to spook the hit-man and send him running back to the subway train.

Ollie calls the Star City Herald and tells them Green Arrow will capture Lucas Branson in front of the Pretty Bird Flower Shoppe.  He follows Branson on the train and tips off a beat cop as to the hood's identity, but Branson gets away from the cop and goes up to the street.  Ollie changes into his Green Arrow outfit and confronts Branson on the street in front of Dinah's store.

Green Arrow fires an arrow at Branson's gun, disarming the man.  As Dinah, the cops, and the Herald photographer converge on the street, Green Arrow takes out the mob enforcer.


So no Black Canary action in this issue of Action, but at least Dinah got to put Ollie in his place at times with a few well-placed smart-ass comments.  Plus, she looks gorgeous and foxy rendered by Amendola and Giordano.

The real weird part of the story, though, is when Ollie points out the mobster to the police officer in the subway.  Ollie says he's giving the cops the chance to make the arrest and get the glory, but that seems counter to his agenda, and also dangerous.  What if Branson panicked at the sight of the cop like he did at the sound of police sirens?  What if Branson killed the subway cop because Ollie pointed him out?  I don't think that would make Ollie culpable of the death of a police officer, but it would be a little ethically smudgy.

Come back next Monday for another tale of Green Arrow and Black Canary in Action Comics...

Monday, June 16, 2014

Team-Up: ACTION COMICS WEEKLY #635 (Jan 1989)

Black Canary's solo strip in Action Comics Weekly wrapped up in issue #634, but she did return the following week for a crossover story pitting several of the series' regular characters in one adventure. Instead of branding this post with the "Back in Action" title like the rest of her ACW appearances, I've gone with the Team-Up header.  Her appearance this time has nothing to do with the previous stories by Sharon Wright and Randy Duburke; this story is much closer to an issue of The Brave and the Bold or DC Comics Presents.


Action Comics Weekly #635: "The Crash of 88" is written by Mark Verheiden with pencil art and cover by Eduardo Barreto, inks by John Nyberg, letters by Carrie Spiegle, and colors by Tom Ziuko.  Robert Greenberger edited the main story.  The issue also contained two more strips that continued the ongoing sagas of Superman and Green Lantern, but I won't review those.  Note that the book is cover dated January, 1989, but the issue hit the stands in November of 1988, so the title still makes sense.

"The Crash of 88" is narrated by Weng Chan, the Hong Kong-born member of the Blackhawks better known affectionately and rakishly as "Chop-Chop".  Howard Chaykin saved the character some dignity when he rebooted the series and renamed Chan, making him more of a serious presence on the team and less a caricature.

By this point in his life and career, Chan is CEO of Blackhawk Express, spending more time in board meetings than in the cockpit of his cargo ships.  But the same corporate board tasked Chan with personally piloting a shipment of MacGuffin-style equipment to South America.  Along for the flight is the wheelchair bound scientist Clay Kendall, who formerly graced the pages of a Green Lantern as an employee of Ferris Aircraft before an accident left him disabled.  Chan and Kendall are joined by Susan Sullivan, the eye-candy of the group who serves no real purpose in this story.

Chan isn't happy about flying through a storm, shipping something he doesn't really understand, with people he doesn't really trust, but he likes even less the anti-aircraft fire the Blackhawk plane takes when they fly over the country of Sumango.


After the plane goes down in the jungle and Chan examines the damage, Kendall confirms that they have crashed in Sumango, and that's bad news.  Sumango, apparently, is ruled by a cruel military dictator named Colonel Diaz, whose human rights violations have earned him the condemnation of both the United Nations and the Soviet Union.  Right after Chan and Kendall voice that expository knowledge to Susan (and the readers), the trio come under fire by Col. Diaz's forces.

Chan and the others are captured, beaten, and their cargo is confiscated.  Then we segue to Green Lantern Hal Jordan, attacking his friends...


Hal wakes up from the nightmare of abusing his power.  The next day, Hal meets Black Canary's dark-haired civilian alter-ego, Dinah Lance, for lunch.  Hal admits he's surprised Dinah would agree to meet wit him considering her boyfriend and Hal's ex-friend, Oliver Queen, wants nothing to do with him.  Dinah knows that Hal is going through a rough time, but she's more compassionate and forgiving than Ollie.

Dinah tells Hal that he should talk to someone to get some perspective--someone from outside their world of capes and costumes.  The only one Hal can think of at the time is Clay Kendall, whom he knew from Ferris Aircraft.

Back in Sumango, Kendall is stuck in a tiny jail cell with Chan and Susan.  Col. Diaz's men come and retrieve Kendall for some purpose.  When Chan tries to stop them, Diaz takes Chan and walks him out of the small jail to a large high-tech building at the edge of the village.  Diaz tells Chan that soon he will be all-powerful, and it's all thanks to the mysterious shipment loaded in the Blackhawk plane that his men captured.

Back in Coast City, Dinah drives Hal to Clay Kendall's house, but when they arrive, Kendall's wife tells them he disappeared during a mission to South America.


Shortly thereafter, Dinah has changed into her Black Canary costume and she accompanies Green Lantern to the Blackhawk hangar.  They track Kendall and Chan's flight from the United States to its final destination at Reyes Bay, but there a reputable-looking man at the airfield tells them the plane never arrived, which means it probably went down in the dreaded Sumango.  The heroes fly off to Sumango, and before long discover the downed Blackhawk plane and Clay Kendall's wheelchair.

Suddenly, the air is filled with screams and the roar of a ginormous red, seemingly energy-based monster that can literally lifted mountains.  Green Lantern takes to the sky to attack the monster, while Black Canary runs toward the village.  She says this threat is out of her league, showing that Dinah, unlike maybe Hal, knows her own limits.  Still, even though she might not have the physical means to contend with the giant energy monster, she is every bit the hero.  Closing in on the monster, she spies a poor family huddled under their hut.  Black Canary races to the peasants to protect them, but the monster raises its massive foot to step on them.


As Green Lantern fights the monster, Black Canary leads the peasants to safety, but Col. Diaz's soldiers capture her.  The energy monster grabs Green Lantern, but he manages to fight out of its grip.  Then the monster vanishes momentarily, only to dematerialize all around Hal.  The energy is too much for him to fight on his own, so the green power ring flies off his finger to summon the one man Green Lantern knows can help.

Diaz's men bring Black Canary, Clay Kendall, and an unconscious Green Lantern back to the jail.  Kendall tells Chan that they interrogated him to learn the secrets of the cargo, which was actually a very high-tech energy collector.  This is what Diaz uses to power the giant monster, and Black Canary reasons that if they don't find a way of stopping him, Diaz and his pet will destroy everything in the region.

Half a world away in Metropolis, Daily Planet reporter Clark Kent is listening to a meeting of what sounds like the city zoning board.


Clark Kent removes his civilian disguise and takes to the air as Superman and follows the green power ring back to Sumango.  Superman doesn't need super-vision to see the devastation Diaz's monster has left on the countryside.

When Superman sees the energy monster, he gives it the benefit of the doubt and tries to talk to it first.  Of course, the monster hits Superman, sending him flying through the jungle.  That's enough for diplomacy, Superman decides, and responds with his fists.  But the energy monster can absorb even the Man of Steel's most powerful blows.

Meanwhile, Black Canary and Chan decide they've had enough of Sumango's jail scene and bust out.


Black Canary and Chan sneak around the village, while Kendall and Susan remain in the jail cell with weapons and the still-unconcious Green Lantern.  After taking out some of Diaz's men, Canary and Chan are spotted.  They dodge machine gun fire by diving into the power facility.  There, they discover the energy collector machine that Chan and Kendall were transporting.  Diaz has hooked himself up inside the machine and is feeding the energy monster outside.


As Superman presses his attack, the energy monster disappears again.  This time it rematerializes in the power station, destroying the building around it and endangering Black Canary and Chan.

Back at the jai, Kendall and Susan are about to be overrun by Diaz's forces, when the green power ring slips on Hal's finger and wakes him up.


Superman and Green Lantern attack Diaz's pet together, raging at him for hurting Black Canary.  Diaz, though, is too powerful for even the combined might of Superman and Green Lantern.  The energy begins to overwhelm them.  In the nick of time, Chan recovers and does the practical thing of unplugging Diaz from the energy collector.  Devoid of his power, Diaz attacks Chan, and receives a kick to the face for his effort.

In the epilogue to the story, Green Lantern returns Clay Kendall to his wife, while Weng Chan goes back to the corporate headquarters of Blackhawk Express to rip the board a collective new @$$hole.

This story was fun and Verheiden's script really takes advantage of the 29 story pages to make the story feel big and expansive.  I'm not sure why he chose to make Chop-Chop Weng Chan the narrator of this story instead of, say, any of the other Blackhawks, or even the Blackhawk.  It seems like this should be a return to action or a catharsis about his place in the corporation, but I'm not sure either was really captured well.  And if so, I'm not sure either was exciting enough to anchor this story with more heavyweight characters in the wings.

Superman isn't given a whole lot of development; he's used mostly as a strongman brawler, but it's okay for this story.  Green Lantern's inner demons are shelved for a brief detective story with a personal stake and plenty of action.  As purely a tagalong, Black Canary makes the most of her appearance with some nice action beats.

Artist Eduardo Barreto draws a muscular and fierce looking Superman and Green Lantern, and his Black Canary is shapely and beautiful in a way that leaps off the page even when she doesn't have much to do in the scene.