Thursday, September 4, 2014

Black Canary in Crisis on Infinite Earths Part 1

The historic, line-altering magnum opus, Crisis on Infinite Earths written by Marv Wolfman and drawn by George Perez, featured almost every DC hero yet established by that point, and even created a couple of new ones.  Naturally, Black Canary appeared in the pages of Crisis, but she wasn't an important part.  She was little more than a cameo in a few issues, although she had a bit of action in issue #6.  Since an in-depth review and analysis of the whole twelve-part event could take up entire book, I won't cover all of Crisis on this post.  Instead I'm going to spotlight Black Canary's few appearances in the series.

Black Canary does not appear in Crisis until issue #6, when she's among several other heroes trapped on the Monitor's satellite as it begins to crumble around them.


She witnesses Harbinger fly into the satellite's core before it explodes...


The next we see of Dinah, she has been transported to the Captain Marvel Earth along with Supergirl, Wonder Woman, and Changeling.


Unfortunately, Captain Marvel and the Marvel Family are more-or-less brainwashed.


Captain Marvel mistakenly believes that his world is coming to an end because of the sudden appearances of Supergirl and the other heroes and he lashes out at them...


Black Canary realizes that Psycho-Pirate is alive and manipulating the Marvel Family.  When Mary Marvel and Captain Marvel, Jr. team up against Wonder Woman, Canary finally does something useful and directs her sonic scream against the Marvels.


After that, Black Canary appears two more times, essentially as a background character with no dialogue.  In issue #7, she's still with Supergirl's team and the now right-thinking Marvel Family.


And she appears in one panel of issue #9, where she and Green Arrow take on some sixth-rate super villains.


That's it.  Black Canary didn't play a significant part in Crisis on Infinite Earths, although perhaps I should be grateful she didn't die.  Tomorrow, though, I'll be reviewing Justice League of America Annual #3, a Crisis tie-in where Black Canary actually does stuff.

Wednesday, September 3, 2014

Black Canary in Green Lantern #188 through #192

Black Canary was a regular fixture of Green Lantern comics in the early and late 1970s, but in the mid '80s around the time of Crisis on Infinite Earths, Dinah appeared in Green Lantern issues #188, #190, #191 and #192.  And by appeared, I mean mostly she just showed up in one panel as a cameo.  But I'm trying to cover all of Black Canary's comics appearances--eventually--so I decided to knock these four comics out in one recap that doesn't really cover the comics in detail.

All four issues were written by Steve Englehart with art by Joe Staton.


In Green Lantern #188: "Decent Exposure" the press outs the new Green Lantern's secret identity, architect John Stewart.  Some people take the revelation in stride, but Ollie doesn't and calls Hal Jordan to vent his frustration.  Dinah appears in the background.


In Green Lantern #190: "Time Out of Mind" a mystery arises when Green Arrow and Black Canary come to see John Stewart, bringing along the same reporter who outed John in the media.


Green Arrow asks John Stewart the seemingly stupid question of how many times they have met and worked together.  The reporter presents a video taped interview that no one remembers.


Then time freezes for the heroes and the villainous Predator leaps through the window.  Only Katma Tui is unaffected by the time-stop, but she is unable to prevent him from stealing the video tape.



Black Canary and the others survive their fall and awaken from the trance Predator put on them.  They don't recall what happened during the time lapses, and need to figure out more about the Predator, but that part of the story will be explored by Hal Jordan.

And that exploration happens in Green Lantern #191: "Macho".  Hal Jordan finds the stole video tape, revealing the same footage--and the same panels drawn by Joe Staton--from the last issue.


In Green Lantern #192: "First Star I See Tonight", the crazy-ass saga of Carol Ferris and Predator and Star Sapphire is revealed, which includes another copy of the lower left panel from the previous two issues.


So, there you have it.  Some random panels of Black Canary in stories of which she has absolutely no real effect.

Tuesday, September 2, 2014

Birds of Prey #16 (April 2000)

Previously in Birds of Prey...


While the last issue of Birds of Prey set a newly raised bar for the title with the addition of Butch Guice on art duties, issue #16, "The Joker's Tale" takes another step in the wrong direction.  This time, writer Chuck Dixon wastes Guice's considerable talent by forcing him to draw 40 panels on about ten pages of the Joker talking to a wall in his cell.

We begin some time after the Joker addressed the United Nations as Qurac's ambassador where he apparently announced that everyone in New York City would die in a matter of hours.  The Joker has been captured, and he figures he's back at Arkham Asylum, safe from whatever doom awaits New York.  He doesn't know who is interrogating him, but he wastes a lot of time trying to talk about his origin and stuff.


When pressed, he suggests that New York will be rendered lifeless by a neutron bomb and kind of rambles about how the bomb came into his possession.  Then he talks about how he got to Qurac by murdering the ambulance crew transferring him to Arkham the last time Batman beat him up.


Then he tells a would-be origin story of murdering his abusive father on his eighteenth birthday, but his interrogator doesn't believe the story is true and doesn't care any.  The Joker is stalling, like Chuck Dixon is stalling.

Finally the Joker recounts how he addressed the United Nations and then luxuriated in his diplomatic limousine, believing he had immunity.  Then the diplomatic convoy is attacked by Power Girl.


While Power Girl takes out Quraci henchmen in her new yellow and white costume, the Joker makes a run for it.  But Black Canary chases him.


The Joker is struck by a pedestrian bicyclist and knocked into traffic, where he is finally caught and brought to Arkham.

Only he wasn't brought to Arkham.  Barbara Gordon surprises Joker by revealing she's holding him in New York so he'll reveal where the bomb is in order to save himself.


He tells her there are nuclear warheads on a ship in the mid-Atlantic.  As she starts to leave, he asks if he's the one who put her in the wheelchair so maybe he doesn't recognize or remember her.

Babs contacts Dinah and Power Girl...


... then she makes a surprise call to Major Van Lewton of the Pentagon's cyber-warfare devision.

I like the Joker, but does anyone really want to read 19 pages of him sitting in a cell, toying with his interrogators, occasionally flashing back to random acts of violence against people we don't care about.  After the joy of issue #15, this issue might be the worst Birds of Prey yet because nothing happens and it's not about the titular characters.

Come back in two weeks for a review of Birds of Prey #17.

Monday, September 1, 2014

Action Plus: ACTION COMICS #428

In the early 1970s, Green Arrow joined the "Action Plus" feature of Action Comics.  Black Canary made numerous guest appearances in her boyfriend's strip, sometimes in her costumed identity, and sometimes as civilian florist, Dinah Lance.


Action Comics #428 is cover dated October 1973 and hit the shelves July 31, according to Mike's Amazing World of DC Comics.  The lead Superman story is written by Cary Bates with art by Curt Swan and Murphy Anderson and a cover by Nick Cardy.

The Green Arrow strip entitled "The Plot to Kill Black Canary" is written by Elliot S. Maggin with art by Dick Giordano.  The story opens with Oliver Queen making a deal to have Black Canary publicly endorse a motorcycle company.


Dinah Lance is less than thrilled that Ollie volunteered her for such an appearance without her approval, but she agrees to go along with it when he says it's for charity.

In a seedier part of Star City, two smalltime crooks, Pete Larkin and Albert the Artist, read about Black Canary's upcoming motorcycle demonstration in the newspaper.  Since the Canary had previously foiled one of their counterfeiting schemes, Pete and Al decide to take their revenge at the bike show.

The day of said bike show, Green Arrow visits a pool hall and rounds up a pair of gold smugglers with some nice sharpshooting archery action and good old fashion punching.  After rousting the hoods, Green Arrow is met by his criminal informant outside.


Louie the C.I. tells Green Arrow that Pete and Al are planning to kill Black Canary with a bomb planted in her motorcycle during the bike show.

Green Arrow races to the show where his Pretty Bird has started driving around on her motorcycle.  Arrow finds Al the Artist disguised as someone in Canary's pit crew and takes him down, but the bomb is live.


Green Arrow fires an arrow and swings away so the bike explodes when it crashes harmlessly away from he and Canary and any spectators.  He lets the police capture Pete and Al, while Ollie and Dinah have a private debriefing later on.


Come back next Monday for another tale of Green Arrow and Black Canary in Action Comics...

Friday, August 29, 2014

Pretty Bird: DETECTIVE COMICS #567

Previously in Detective Comics...


Detective Comics #567 starred Batman a story by renowned Harlan Ellison with art by Gene Colan, and one of my favorite Batman covers drawn by Klaus Janson.  Green Arrow and Black Canary teamed up in their final Detective Comics backup strip titled "The Face of Barricade" written by Joey Cavalieri and pencilled by Stan Woch.

The story begins with ohmygod!!!


Skeletor Barricade looms over Green Arrow, kicking him and tormenting him with vague clues about his real identity.  He recalls the story of how Green Arrow brought about the ruin of his life, revealing to readers that Barricade is actually Lars from Detective Comics #556-557.


Lars' loyal followers at the monastery restored the Book of Ages using some alchemical tricks; this brought Lars back to life... sort of.  Lars, despite looking like death, will live as long as he remains in physical contact with the book.  His humanity will be restored once he gets the Wisdom Key which is hidden in Onyx's tiara.

Onyx brandishes the tiara in front of Barricade so he'll leave Green Arrow alone, but her whip does nothing to keep the villain at bay.  He lifts up Onyx threatening to snap her neck.  Ollie, meanwhile, grabs his bow and arrow and takes aim.  He heard Barricade say he had to remain in contact with the book, so he fires at one of Barricade's leg cuffs, hoping that's where the book is secreted.  Sadly, he guesses wrong, so he fires at one of Barricade's wrist gauntlets.  That, too, proves futile.


Before Black Canary can get away with the tiara, Barricade slams a heavy fist into the wall, shaking the building's foundation and causing Black Canary to fall into the room.  Barricade tries to get the tiara from Dinah, but Ollie fires one more arrow that rips open the back of Barricade's costume, exposing the Book of Ages hidden at the small of his back.

As the book falls loose, Lars dies again.


As the heroes realize the Wisdom Key isn't with the tiara, they realize that Onyx has slipped away.  We find her again in the park meeting with Tommie, the friend she hurried out of the music store.  Only, Tommie isn't feeling very friendly at the moment.  She gave him the Wisdom Key and pushed him away to maybe keep him safe, but he sees it as making him a target for some nasty villain like Barricade.  The story ends with Onyx walking away unhappily.

Even though Crisis on Infinite Earths ended about a year before this issue came out, this story is considered Black Canary's last pre-Crisis appearance.  The next time we see her is in the fourth chapter of the Justice League reboot miniseries, Legends, which I'll be reviewing soon.  As a finale to her pre-Crisis period, though, this story is pretty anticlimactic.  I enjoyed seeing Onyx revisited and this two-parter was a nice follow-up to the Green Arrow and Onyx's side-adventure ten issues earlier, but I would have rather seen more out of the Steelclaw story and more development of Dinah's voice-based mind control powers that Joey Cavalieri built up over the past year.

Thursday, August 28, 2014

Super-Team Family: Black Canary and Banshee




It's Thursday and that means I get to lazily graciously repost one of Ross' custom DC/Marvel crossover covers from the Super-Team Family blog.  Last December, Ross celebrated his 600th crossover cover with a four different mash-ups, including Black Canary and Banshee's final scream!


I love all of these team-ups, from the Avengers and Star Trek crew, to Wolverine and Lion-O of the Thundercats, to Deathlok and RoboCop.  But naturally my favorite is the sonic power-couple of the X-Men's Banshee and Dinah Lance.

The Black Canary image above is by Nick Cardy and comes from the cover to The Brave and the Bold issue #91.

Check out Super-Team Family: The Lost Issues for many, many more DC/Marvel crossover covers!

Wednesday, August 27, 2014

Black Canary by Peter Krause 2



Peter Krause drew Black Canary in Birds of Prey #7, but anyone with even a basic appreciation of comics ought to know his work from the seminal series Irredeemable from Boom! Studios and his work on Insufferable at Thrillbent, both written by Mark Waid.  If you haven't read either of those books, you're really missing out on some fantastic stories.

Tuesday, August 26, 2014

Birds of Prey #15 (March 2000)

Previously in Birds of Prey...



Birds of Prey #15: "Face Time" turns a corner as Chuck Dixon finally gets an artist who can elevate his limited scripts into something special.  Butch Guice comes aboard as the regular artist and his first issue is possibly the best of the series for his involvement.

After spending the last couple months dealing with super-powered villains and other-dimensional landscapes, Dixon lets Black Canary and Oracle let their hair down a little and spend some free time on character progression.  Of course, Dixon's better angels can't shout down all of his problems as he still wastes precious comic page real estate at the beginning of the issue.  This time, thankfully, it's not an unnecessary splash page followed by an equally unnecessary double-page splash.

Instead, he devotes the first two and a half pages to TV news coverage of horrible violence in the nation of Qurac.  Guice does a great job rendering the ugliness of the war and its combatants, but then we pull away from the news footage to reveal a salesman hocking high definition TVs and computer monitors to Barbara Gordon.  She ends up rolling over his foot with her wheelchair.  Yeah, the first four pages are just set-up for a not-that-funny gag.

Babs has come to a tech convention, but not to shop for new products.  After months or years of dancing around cyber-dating, she has finally come to meet her online friend, "Bumblebeeb".


Meanwhile, Dinah Lance spends her day off retrieving piles and piles of junk mail from the mailbox of her apartment.  She complains to Henry, the doorman.  Another tenant comes home, and when she goes up the elevator, Dinah notices the woman has a black eye.  Henry tells Dinah the woman is Olivia Crichton, Dinah's next-door neighbor, and she's single but has one gentleman caller.

Later, Dinah goes to Olivia's apartment and makes up a lame excuse to get inside and check out the bruise on her face.  Olivia insists that she's fine and her situation is none of Dinah's business.  Dinah offers her friendship and any help she can provide before Olivia makes her leave.

Back at the tech convention, Babs avoids more cheesy product placements while the news talks about the United Nations new, mysterious ambassador from Qurac.  This is foreshadowing, so you know.  Then, at last, she meets her blind date.  Bumblebeeb reveals his real identity, and would you believe it  it's Ted Kord!  They awkwardly introduce themselves and make up some half-truth cover stories for their jobs.


Elsewhere in Gotham, Babs' ex-boyfriend Jason Bard goes to see her at her apartment.  But instead of Barbara Gordon, he finds her other ex-boyfriend Dick Grayson hanging around, making repairs to stuff damaged during the Gotham Earthquake.  Boy, that's a little awkward; two exes meeting each other at Babs' apartment while she's out on a date with someone else.

Meanwhile Dinah gets more junk mail as a menu is shoved under her door.


I love this page, not because of Dinah's skimpy outfit but because of the Toth's Gym shirt, a nice little reference to the work of Alex Toth who drew a gorgeous Black Canary in Adventure Comics.  Anyway, out in the hall Dinah notices Olivia's "gentleman caller" go inside with two bodyguards left standing by the door.

Babs and Ted go to a diner to get to know each other better.  Ted tries to impress Babs by saying he  works in a similar law-enforcement capacity by designing nonlethal crime-fighting hardware such as gases, armor, and other kinds of deterrents.  She asks if he ever gets out in the field and he says no way, he's just in R&D.  Then she asks why he chose the avatar Bumblebeeb and he insists there is nothing significant about the name.

Meanwhile, Dinah watches TV in her bedroom in the fourth different outfit we've seen her wear this issue, and presumably only about an hour has passed.  She flips through channels and we get more foreshadowing of the mysterious, unseen ambassador from Qurac going to speak at the U.N.  Above Dinah's bed is a portrait of her father, Larry Lance.  A bump on the wall from next-door nearly knocks the photo on her head.  Sounds like Olivia is getting beaten by her man again.


After knocking out the bodyguards, Dinah hears gunshots coming from Olivia's bedroom.  When she sneaks in, she finds Olivia with the gun and the man lying dead on the floor.  Olivia sobs, saying she warned the man not to hit her again.

Babs and Ted walk through the lobby of the tech conference.  She confesses to knowing the truth about him, that he's secretly the costumed adventurer known as Blue Beetle.  He freaks out at first, telling her to keep it secret, but then he puts two and two together and realizes the only way she could know his double identity is because she had one of her own.  He stops her from rolling away and calls her Oracle.

They go back to the diner to start their date over again with their cards metaphorically on the table.


Then the news in the restaurant turns to coverage of the Quraci ambassador addressing the United Nations.  As he begins to speak, Babs is horrified that she recognizes the voice.


No costumes and no superhero antics, but still probably the best Birds of Prey story up to this point.  It's great seeing Babs and Ted Kord feel each other out on their date.  It reads like Barbara was legitimately surprised to find her date was Ted Kord, but once he introduced himself, she knew who he was.

Dinah, meanwhile, gets to kick ass and show her compassion for a victim of abuse.  The best parts of her story, though, are the artistic flourishes that Guice adds, such as the portrait of Larry Lance in the bedroom and the Toth's Gym shirt.  I am so glad Butch Guice becomes the regular artist for the next couple months.

Come back next Tuesday for a review of Birds of Prey #16.

Monday, August 25, 2014

Action Plus: ACTION COMICS #426

In the early 1970s, Green Arrow joined the "Action Plus" feature of Action Comics.  Black Canary made numerous guest appearances in her boyfriend's strip, sometimes in her costumed identity, and sometimes as civilian florist, Dinah Lance.


Action Comics #426 is cover dated August 1973 and hit the shelves May 31, according to Mike's Amazing World of DC Comics.  The lead Superman story is written by Cary Bates with art by Curt Swan and Murphy Anderson and a cover by Nick Cardy.  The issue included two backup stories, one featuring the Human Target by Len Wein and Dick Giordano.

The Green Arrow strip entitled "The Wrong Side of the Tracks" is written by Elliot S. Maggin with pencils by Dick Dillin and inks by Giordano.

The story begins, after Green Arrow shouts at the reader, with Oliver Queen entering Dinah Lance's Pretty Bird Flower Shoppe...


Dinah leaves the store to Ollie, telling him she'll be back in time for dinner.  So, while technically minding the store, he kills time by designing a new trick arrow with some of her tools in the back room.  Then two delivery men arrive with some freaky sci-fi sculpture, but Ollie points out that they're on the wrong side of town.

"If you drop a bowl of spaghetti out a window, the way it lands will look like a street map of Star City," Ollie tells the delivery men before redirecting them to the correct address.  Hmm... I've heard similar descriptions for the layout of Boston.  Clearly, at the time this story was written, Star City was imagined as an eastern city, not the West Coast hub it will become later in DC's history.

After the delivery men drive off, Ollie realizes that their truck is from a building that went out of business the year before.  He changes into Green Arrow and swings across town with his rope arrows.  He sees the delivery guys bringing the sculpture to a man named Chatsworth Osborne, Jr. (seriously!) and uses a bug-arrow to listen in on the recipient, but his surveillance equipment detects the presence of another bug in the office that must have been planted on the sculpture.

Green Arrow intercepts the delivery men leaving the office and questions them.  They say the Osborne Foundation's vice president, Gregory Gates, hired them and gave them the truck and sculpture; that's all they know.  Green Arrow turns them loose and then meets with Chatsworth Osborne, Jr. revealing the spy equipment hidden on the sculpture.  Chatsworth Osborne, Jr. is angry, so angry!  Can you imagine how angry Chatsworth Osborne, Jr. must be?!

Green Arrow leaves the office of Chatsworth Osborne, Jr. and goes to see Gregory Gates, the vice president of the foundation run by Chatsworth Osborne, Jr.  Ollie overhears Gates admit to spying on Chatsworth Osborne, Jr. after the "twerp" inherited Osborne Foundation and demoted him.  Gates doesn't approve of how unselfishly Chatsworth Osborne, Jr. wants to spend the foundation's money.

That's all Green Arrow needs to hear to spring into action.


Green Arrow recalls how his own million-dollar company was taken away from him by conniving jerks like Chatsworth Osborne, Jr. like Gregory Gates.  He beats the crap out of Gates and his men, and then goes to help Chatsworth Osborne, Jr.  He tells the young man not to let this experience spoil his entrepreneurial spirit or idealism.

Then, inexplicably, he convinces Chatsworth Osborne, Jr. to show him his financial records and goes through all of his books to make sure his company is safe.  Ollie mentions attending four years at Hudson University.  Clearly, he is well educated in business, but why the hell would this C.E.O. trust him with this kind of information after knowing Green Arrow for about six minutes.


At the bottom of the page is an ad for Mike Kaluta's The Shadow which looks awesome!

Another fun little Green Arrow story.  Dinah is just Dinah once again, not the Black Canary.  She doesn't get to kick ass in her fishnets and blonde wig, but she does look terrific as ever.  It's kind of funny reading these stories where she is treated as the hero's girlfriend who happens to own a flower shop.  In a way, these stories feel like Black Canary's Golden Age stories told from the perspective of Larry Lance.  In those old tales in Flash Comics, he didn't know Dinah and Black Canary were the same woman, and Larry always fancied himself the hero in his own mind.

Come back next Monday for another tale of Green Arrow and Black Canary in Action Comics...

Friday, August 22, 2014

Pretty Bird: DETECTIVE COMICS #566

Previously in Detective Comics...


Detective Comics #566 starred Batman and Robin in a story by Doug Moench with art by Gene Colan, who also drew the cover.  Interestingly, this story served more or less as a Who's Who entry for Batman's rogues gallery with Jason Todd studying his mentor's foes in the Bat-computer.  Green Arrow and Black Canary teamed up in a backup strip titled "Old Enemies Die Hard" written by Joey Cavalieri and drawn by Jerome Moore.

We open with Dinah Laurel Lance taking her lover, Oliver Queen, home on her motorcycle.  There is no mention of Mayor Bolt or his costumed alter-ego Steelclaw, or his son who Green Arrow and Black Canary saved last issue.  I guess we just assume that Steelclaw died.


Examining the wreckage of his apartment, Ollie tells Dinah that nothing is missing.  This wasn't a robbery; someone came looking for him and trashed the place when they realized Ollie wasn't home.  He plays the tape on the answering machine (or "phone machine" as he calls it) and hears the message from Onyx, who is holed up in a music shop with her friend Tommie.

Meanwhile, at the music store, Onyx is trying to convince Tommie to let her go because she's in danger.  Tommie believes she came back to Star City to see him, though, and they kiss.  Then their tender embrace is interrupted by a large armored figure smashing through the wall.  The stranger calls himself Barricade and fights Onyx.


Green Arrow appears and fires an arrow that snatches the tiara away from Barricade.  Then he fires off another arrow that wraps chains around Barricade... chains the villain easily snaps out of.


I miss the story of Steelclaw--that was sort of anticlimactically wrapped up.  But I'm glad we see Onyx again and this story will put a cap on events last seen in issues #556 and 557.

Come back next Friday for the final part of Green Arrow and Black Canary's adventures in Detective Comics...